| Neil Young and the poetics of energy W Echard Indiana University Press, 2005 | 95 | 2005 |
| Napoleon III and the Concert of Europe WE Echard (No Title), 1983 | 93 | 1983 |
| Psychedelic popular music: A history through musical topic theory W Echard Indiana University Press, 2017 | 57 | 2017 |
| An analysis of Neil Young's ‘Powderfinger’based on Mark Johnson's image schemata W Echard Popular Music 18 (1), 133-144, 1999 | 47 | 1999 |
| Sensible virtual selves: Bodies, instruments and the becoming-concrete of Music W Echard Contemporary Music Review 25 (1-2), 7-16, 2006 | 27 | 2006 |
| Musical Semiotics in the 1990s: The state of the art W Echard Semiotic Review of Books 10 (3), 6-9, 1999 | 18 | 1999 |
| Plays Guitar Without Any Hands: Musical movement and problems of immanence W Echard Music and Gesture, 75-90, 2006 | 14* | 2006 |
| " Gesture" and" Posture": One Useful Distinction in the Embodied Semiotic Analysis of Popular Music W Echard Indiana Theory Review 21, 103-128, 2000 | 13 | 2000 |
| Psychedelia, musical semiotics, and environmental unconscious W Echard Green Letters 15 (1), 61-75, 2011 | 12 | 2011 |
| Subject to a trace: the virtuality of recorded music W Echard | 11 | 2008 |
| 'Someone and Someone': Dialogic Intertextuality in Neil Young W Echard The Pop Palimpsest: Intertextuality in Recorded Popular Music, 168-189, 2018 | 9* | 2018 |
| Louis Napoleon and the French Decision to Intervene at Rome in 1849: A New Appraisal WE Echard Canadian Journal of History 9 (3), 263-274, 1974 | 9 | 1974 |
| Music and Memory at the Millennium J Berland, W Echard TOPIA: Canadian Journal of Cultural Studies 6, 1-9, 2001 | 6 | 2001 |
| Conference Diplomacy in the German Policy of Napoleon III, 1868-1869 WE Echard French Historical Studies 4 (3), 239-264, 1966 | 5 | 1966 |
| Expecting Surprise Again: Neil Young and the Dialogic Theory of Genre W Echard Canadian University Music Review 22 (2), 30-47, 2002 | 4 | 2002 |
| Singer-Songwriters on Philo and Flying Fish W Echard The Journal of American Folklore 110 (438), 423-439, 1997 | 4 | 1997 |
| Neil Young, Embodiment, and Stylistic Diversity: A Social Semiotic and Musicological Perspective WB Echard National Library of Canada= Bibliothèque nationale du Canada, Ottawa, 2002 | 3 | 2002 |
| Inventing to Preserve: Novelty and Traditionalism in the Work of Stompin'Tom Connors W Echard MUSICultures, 1994 | 3 | 1994 |
| Does Topic Theory Require a Monological View of Competency? Perspectives From Popular Music Studies and Reflections on the Emergence of Psychedelia as a New Topical Field W Echard Conference on Music Semiotics, 487, 2013 | 2 | 2013 |
| Forceful Nuance and Stompin'Tom W Echard Slippery Pastimes: Reading the Popular in Canadian Culture, 243-262, 2002 | 2 | 2002 |
