| Imitations of the self: Jiang Yan and Chinese poetics NM Williams Brill, 2014 | 24 | 2014 |
| Southern Identity and Southern Estrangement in Medieval Chinese Poetry P Wang, NM Williams Hong Kong University Press, 2015 | 19 | 2015 |
| Palgrave advances in William Blake studies NM Williams Palgrave Macmillan, 2006 | 17 | 2006 |
| Angelo Zottoli's Cursus litteraturæ sinicæ as Propaedeutic to Chinese Classical Tradition NM Williams Monumenta Serica 63 (2), 327-359, 2015 | 12 | 2015 |
| Tropes of entanglement and strange loops in the “Nine Avowals” of the Chuci NM Williams Bulletin of the School of Oriental and African Studies 81 (2), 277-300, 2018 | 11 | 2018 |
| A Conversation in Poems: Xie Lingyun, Xie Huilian, and Jiang Yan NM Williams Journal of the American Oriental Society 127 (4), 491-506, 2007 | 9 | 2007 |
| The metaphysical lyric of the six dynasties NM Williams T'oung Pao 98 (1-3), 65-112, 2012 | 8 | 2012 |
| Shamans, souls, and soma: Comparative religion and early China NM Williams Journal of Chinese Religions 48 (2), 147-173, 2020 | 7 | 2020 |
| Southland as Symbol P Wang, NM Williams Southern Identity and Southern Estrangement in Medieval Chinese Poetry, 1-18, 2015 | 6 | 2015 |
| The morality of drunkenness in Chinese literature of the third century CE NM Williams Scribes of Gastronomy, 27-43, 2013 | 6 | 2013 |
| “Roaming the Infinite”: Liu Xiang as Chuci Scholar and Would-be Transcendent NM Williams Tsing Hua zhongwen xuebao 20, 49-112, 2018 | 5 | 2018 |
| Jiangnan from the ninth century on: the routinization of desire S Owen, P Wang, NM Williams Southern Identity and Southern Estrangement in Medieval Chinese Poetry, 189-206, 2015 | 5 | 2015 |
| The taste of the ocean: Jiaoran's theory of poetry NM Williams Tang Studies 31 (1), 1-27, 2013 | 5 | 2013 |
| Pan Yue's “Study of a Widow” and Its Predecessors NM Williams Journal of American Oriental Society 132 (3), 347-365, 2012 | 5 | 2012 |
| Being Alive: Doctrine versus Experience in the Writings of Yamanoue no Okura NM Williams Sino-Japanese Studies, 2016 | 4 | 2016 |
| Li Bai’s “Rhapsody on the Hall of Light”: A Singular Vision of Cosmic Order NM Williams T'oung Pao 101 (1-3), 35-97, 2015 | 4 | 2015 |
| The Fu Genre of Imperial China: Studies in the Rhapsodic Imagination NM Williams Amsterdam University Press, 2019 | 3 | 2019 |
| Quasi-Phantasmal Flowers: An Aspect of Wang Wei's Mahāyāna Poetics NM Williams Chinese Literature: Essays, Articles, Reviews (CLEAR), 27-53, 2017 | 3 | 2017 |
| The half-life of half-rhyme N Williams Early Medieval China 2011 (17), 22-50, 2011 | 3 | 2011 |
| Kūkai's transcultural rhetoric of prayer: on his writings inspired by the Chinese “prayer text”(yuanwen 願文) NM Williams Esoteric Buddhism and Texts, 212-238, 2024 | 2 | 2024 |
