| Audience as performer: The changing role of theatre audiences in the twenty-first century C Heim Routledge, 2015 | 183 | 2015 |
| Tutorial facilitation in the humanities based on the tenets of Carl Rogers C Heim Higher Education 63, 289-298, 2012 | 62 | 2012 |
| ‘Argue with us!’: Audience co-creation through post-performance discussions C Heim New Theatre Quarterly 28 (2), 189-197, 2012 | 35 | 2012 |
| Actors and Audiences: Conversations in the Electric Air C Heim Routledge, 2020 | 16 | 2020 |
| Facilitating a Supportive Learning Experience: The Lecturer's Role in Addressing Mental Health Issues of University Students during COVID-19. C Heim, C Heim Journal of University Teaching and Learning Practice 18 (6), 69-79, 2021 | 11 | 2021 |
| Broadway Theatre Fans: communities of narrators and translators C Heim Popular Entertainment Studies 7 (1-2), 39-54, 2016 | 9 | 2016 |
| Community engagement or community conversation?:'Boomtown', a large-scale regional, outdoor community theatrical event D Carter, C Heim Australasian Drama Studies, 202-224, 2015 | 7 | 2015 |
| No Exit from the gaze: Sartre's theory facilitated through aspects of Meisner's practice C Heim, C Heim Journal of Dramatic Theory and Criticism 29 (2), 127-145, 2015 | 4 | 2015 |
| Found in translation : debating the abstract elements of cultures through actor training styles C Heim Theatre, Dance and Performance Training 4 (3), 353-367, 2013 | 3 | 2013 |
| The Theatre Programme: A Public Discourse at a Staging of Maxwell Anderson's' Anne of the Thousand Days' C Heim | 3 | 2008 |
| Resilient relationships: techniques for surviving hyper-individualism, social isolation, and a mental health crisis C Heim, C Heim Routledge, 2023 | 2 | 2023 |
| Woman as subject: Critical perspectives of Australian commercially successful plays with leading roles for female actresses M Haining, C Heim Australasian Drama Studies, 13-45, 2019 | 2 | 2019 |
| Negotiating meanings: Audience reception of a contemporary staging of Maxwell Anderson's Mary of Scotland C Heim Crossings 11 (1), 1-2, 2006 | 2 | 2006 |
| “How did you stay together so long?” Relationship longevity, a cross‐generational qualitative study C Heim, C Heim Journal of Marital and Family Therapy 49 (4), 781-801, 2023 | 1 | 2023 |
| Participant observation in practice and techniques for overcoming researcher insecurity: A case study at the Deutsches Theater C Heim Impacting Theatre Audiences, 26-38, 2022 | 1 | 2022 |
| South Korean audiences and their interactive performance in the Madang then and now Y Park, J Neideck, C Heim Critical Stages/Scènes critiques 2021 (24), 2021 | 1 | 2021 |
| Addressing the mental health issues of the'Covid Generation'-Innovative approaches to Performing Arts Studies in Times of Crisis B Hadley, C Heim International Journal of Contemporary Humanities 5 (1), 1-19, 2021 | 1 | 2021 |
| Experiencing Liveness in Contemporary Performance: Interdisciplinary Perspectives ed. by Matthew Reason and Anja Mølle Lindelof C Heim Theatre Journal 71 (1), 125-127, 2019 | 1 | 2019 |
| Humour and charm in a story of race, headwear and healing C Heim The Australian, -, 2012 | 1 | 2012 |
| No Exit C Heim, C Heim No Exit, 2011 | 1 | 2011 |
