| Towards a perceptual model of “punch” in musical signals S Fenton, H Lee Audio Engineering Society Convention 139, 2015 | 18 | 2015 |
| Objective measurement of music quality using inter-band relationship analysis S Fenton, JP Wakefield, B Fazenda | 17 | 2011 |
| Objective profiling of perceived punch and clarity in produced music S Fenton, J Wakefield Audio Engineering Society Convention 132, 2012 | 16 | 2012 |
| A Perceptual Model of “Punch” Based on Weighted Transient Loudness S Fenton, H Lee Journal of the Audio Engineering Society 67 (6), 429-439, 2019 | 10 | 2019 |
| Automatic mixing of multitrack material using modified loudness models S Fenton Audio Engineering Society Convention 145, 2018 | 10 | 2018 |
| Elicitation and Objective Grading of ‘Punch’Within Produced Music S Fenton, H Lee, JP Wakefield AES, 2014 | 6 | 2014 |
| Alternative weighting filters for multi-track program loudness measurement S Fenton, H Lee | 4 | 2017 |
| Real-time system for the measurement of perceived punch A Parker, S Fenton, H Lee Audio Engineering Society Convention 145, 2018 | 3 | 2018 |
| Evaluation of a Perceptually-Based Model of" Punch" with Music Material S Fenton, H Lee, JP Wakefield | 3 | 2016 |
| Hybrid Multiresolution Analysis of “Punch” in Musical Signals S Fenton, H Lee, J Wakefield Audio Engineering Society Convention 138, 2015 | 3 | 2015 |
| A semantically motivated gestural interface for the control of a dynamic range compressor T Wilson, S Fenton, M Stephenson Audio Engineering Society Convention 138, 2015 | 3 | 2015 |
| Objective quality measurement of audio using multiband dynamic range analysis S Fenton, B Fazenda, JP Wakefield | 3 | 2009 |
| Use of Immersive Audio as an Assistive Technology for the Visually Impaired–A Systematic Review C Jones, S Fenton Audio Engineering Society Conference: AES 2023 International Conference on …, 2023 | 2 | 2023 |
| Can Transistors sound like valves? M Aitchison, S Fenton University of Huddersfield, 2010 | 2 | 2010 |
| Musical Mix Clarity Prediction Using Decomposition and Perceptual Masking Thresholds A Parker, S Fenton Applied Sciences 11 (20), 9578, 2021 | 1 | 2021 |
| Modelling of the Fender Bassman 5F6-A tone stack S Fenton arXiv preprint arXiv:2110.02285, 2021 | 1 | 2021 |
| Mix Clarity Prediction using Multiresolution Inter-Band Relationship Analysis A Parker, S Fenton Audio Engineering Society Convention 148, 2020 | 1 | 2020 |
| Two Dimensional Gestural Control of Audio Processing T Wilson, S Fenton Audio Engineering Society Convention 136, 2014 | 1 | 2014 |
| A user centred investigation into the potential of alternative input devices for mixing immersive audio A Kent, C Dewey, A Moore, S Fenton Audio Engineering Society Europe 2024: Echoes of the Past Inspire the Sound …, 2024 | | 2024 |
| A Perceptual Evaluation of Audio Transformer Colouration S Fenton, L Woods Audio Engineering Society Europe 2024: Echoes of the Past Inspire the Sound …, 2024 | | 2024 |
Prof Hyunkook LeeProfessor of Audio and Psychoacoustic Engineering, University of Huddersfield在 hud.ac.uk 的电子邮件经过验证
Prof Hyunkook LeeProfessor of Audio and Psychoacoustic Engineering, University of Huddersfield在 hud.ac.uk 的电子邮件经过验证
Bruno FazendaReader (Associate Professor), Acoustics Research Centre, University of Salford, UK在 salford.ac.uk 的电子邮件经过验证