Concepts of transnational cinema: towards a critical transnationalism in film studies W Higbee, SH Lim Transnational cinemas 1 (1), 7-21, 2010 | 644 | 2010 |
Remapping world cinema: Identity, culture and politics in film S Dennison, SH Lim Wallflower Press, 2006 | 314* | 2006 |
Celluloid comrades: Representations of male homosexuality in contemporary Chinese cinemas SH Lim University of Hawaii Press, 2017 | 206 | 2017 |
Tsai Ming-liang and a Cinema of Slowness SH Lim University of Hawaii Press, 2014 | 177 | 2014 |
AsiaPacifiQueer: Rethinking genders and sexualities R Baytan, JNC Garcia, KYL Lucetta, SH Lim, JD Mackintosh, C Maree, ... University of Illinois Press, 2010 | 165 | 2010 |
Situating world cinema as a theoretical problem S Dennison, SH Lim Remapping world cinema: Identity, culture and politics in film, 1-15, 2006 | 74 | 2006 |
How to be queer in Taiwan: Translation, appropriation, and the construction of a queer identity in Taiwan SH Lim AsiaPacifiQueer: Rethinking genders and sexualities, 235-250, 2008 | 55 | 2008 |
Is the trans-in transnational the transin transgender? SH Lim New Cinemas: Journal of Contemporary Film 5 (1), 39-52, 2007 | 41 | 2007 |
Positioning auteur theory in Chinese cinemas studies: intratextuality, intertextuality and paratextuality in the films of Tsai Ming-liang SH Lim Journal of Chinese Cinemas 1 (3), 223-245, 2007 | 33 | 2007 |
The Chinese cinema book SH Lim, J Ward Bloomsbury Publishing, 2020 | 31 | 2020 |
Concepts of transnational cinema revisited SH Lim Transnational Screens 10 (1), 1-12, 2019 | 25 | 2019 |
Transnational trajectories in contemporary East Asian cinemas SH Lim East Asian Cinemas: Regional Flows and Global Transformations, 15-32, 2011 | 21 | 2011 |
Taiwan New Cinema: Small nation with soft power SH Lim | 19 | 2013 |
Queer theory goes to Taiwan SH Lim The ashgate research companion to queer theory, 257-276, 2016 | 18 | 2016 |
Temporal aesthetics of drifting: Tsai Ming-liang and a cinema of slowness SH Lim Slow Cinema, 87-98, 2016 | 17 | 2016 |
Speaking in tongues: Ang Lee, accented cinema, Hollywood SH Lim Theorizing World Cinema, 129-44, 2012 | 16 | 2012 |
Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese Cinemas J Damm China Review International 14 (1), 166-169, 2007 | 10 | 2007 |
A new beginning: possible directions in Chinese cinemas studies SH Lim Journal of Chinese Cinemas 1 (1), 3-8, 2006 | 9 | 2006 |
Citizen-to-citizen connectivity and soft power: The appropriation of subcultures in ‘little freshness’ across the Taiwan Strait SH Lim China Information 33 (3), 294-310, 2019 | 5 | 2019 |
Towards a poor cinema: ubiquitous trafficking and poverty as problematic in Midi Z’s films SH Lim Transnational Cinemas 9 (2), 131-146, 2018 | 5 | 2018 |