Computational Creativity and Music Generation Systems: an Introduction to the State of the Art F Carnovalini, A Rodà Frontiers in Artificial Intelligence 3, 14, 2020 | 135 | 2020 |
Note‐by‐note analysis of the influence of expressive intentions and musical structure in violin performance* G De Poli, A Rodà, A Vidolin Journal of New Music Research 27 (3), 293-321, 1998 | 104 | 1998 |
Modeling and control of expressiveness in music performance S Canazza, G De Poli, C Drioli, A Roda, A Vidolin Proceedings of the IEEE 92 (4), 686-701, 2004 | 103 | 2004 |
On the role of auditory feedback in robot-assisted movement training after stroke: review of the literature G Rosati, A Rodà, F Avanzini, S Masiero Computational intelligence and neuroscience 2013, 11, 2013 | 91 | 2013 |
An abstract control space for communication of sensory expressive intentions in music performance S Canazza, G Poli, A Rodà, A Vidolin Journal of New Music Research 32 (3), 281-294, 2003 | 83 | 2003 |
Audio morphing different expressive intentions for multimedia systems S Canazza, G De Poli, C Drioli, A Rodà, A Vidolin Ieee Multimedia 7 (3), 79-83, 2000 | 74 | 2000 |
Clustering affective qualities of classical music: beyond the valence-arousal plane A Roda, S Canazza, G De Poli IEEE Transactions on Affective Computing 5 (4), 364-376, 2014 | 53 | 2014 |
Communicating expressive intentions with a single piano note FB Baraldi, GD Poli, A Rodà Journal of New Music Research 35 (3), 197-210, 2006 | 46 | 2006 |
Symbolic Music Similarity through a Graph-Based Representation F Simonetta, F Carnovalini, N Orio, A Rodà Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion, 26, 2018 | 39 | 2018 |
A Measure of Melodic Similarity based on a Graph Representation of the Music Structure. N Orio, A Rodà ISMIR, 543-548, 2009 | 39 | 2009 |
Analysis and synthesis of expressive intention in a clarinet performance S Canazza, G De Poli, A Roda, A Vidolin Proceedings of the 1997 International Computer Music Conference, 113-120, 1997 | 39* | 1997 |
Archaeology and virtual acoustics-a pan flute from ancient Egypt F Avanzini, S Canazza, G De Poli, C Fantozzi, N Pretto, A Roda, I Angelini, ... Proceedings of the 12th International Conference on Sound and Music …, 2015 | 38 | 2015 |
Algorithms can Mimic Human Piano Performance: The Deep Blues of Music E Schubert, S Canazza, G De Poli, A Rodà Journal of New Music Research 46 (2), 175-186, 2017 | 31 | 2017 |
Physical movement and musical gestures: a multilevel mapping strategy D Fenza, L Mion, S Canazza, A Roda Proceedings of Sound and Music Computing Conference, Salerno, 2005 | 30 | 2005 |
Playing to play: a piano-based user interface for music education video-games E Micheloni, M Tramarin, A Rodà, F Chiaravalli Multimedia Tools and Applications 78 (10), 13713-13730, 2019 | 26 | 2019 |
Inclusive sound and music serious games in a large‐scale responsive environment M Mandanici, F Altieri, A Rodà, S Canazza British Journal of Educational Technology 49 (4), 620-635, 2018 | 26 | 2018 |
CaRo 2.0: an interactive system for expressive music rendering S Canazza, GD Poli, A Rodà Advances in Human-Computer Interaction 2015, 2, 2015 | 26 | 2015 |
Entertaining Listening by means of the Stanza Logo-Motoria, an Interactive Multimodal Environment S Zanolla, S Canazza, A Rodá, A Camurri, G Volpe Entertainment Computing, 2013 | 26 | 2013 |
A multilayered approach to automatic music generation and expressive performance F Carnovalini, A Rodà 2019 International Workshop on Multilayer Music Representation and …, 2019 | 25 | 2019 |
Kinematics-energy space for expressive interaction in music performance S Canazza, G De Poli, A Rodà, A Vidolin, P Zanon Proceedings of MOSART, Workshop on current research directions in Computer …, 2001 | 25 | 2001 |