| From Lagos to Douala: The video film and its spaces of seeing B Ajibade Postcolonial Text 3 (2), 1-14, 2007 | 35 | 2007 |
| The importance of visual illustrations in recommended primary and secondary school textbooks in Calabar B Ajibade, N Elemi Journal of Educational and Social Research 2 (1), 161-170, 2012 | 25 | 2012 |
| Nigerian videos and their imagined Western audiences: The limits of Nollywood’s transnationality B Ajibade Global Nollywood: The transnational dimensions of an African video film …, 2013 | 24 | 2013 |
| Producing cheaply, selling quickly: The un-Hollywood production paradigm of Nollywood video films B Ajibade, B Williams International Journal of Humanities and Social Science 2 (5), 203-209, 2012 | 16 | 2012 |
| Is fine arts inevitable requisite for bachelors degree in visual arts?: Notes from the admission policy of a Nigerian university B Ajibade, B Enamhe, W Oloidi Mediterranean Journal of Social Sciences 2 (3), 203-212, 2011 | 15 | 2011 |
| The limitations of teaching and learning fine and applied arts at the tertiary level in Cross River State: Calabar Metropolis B Ajibade, I Lawson Global Journal of Educational Research 2 (1), 27-32, 2003 | 11 | 2003 |
| More than fabric motifs: Changed meaning of Nsibidi on the Efik Ukara cloth B Ajibade, E Ekpe, T Bassey Mediterranean Journal of Social Sciences 3 (2), 297-303, 2012 | 9 | 2012 |
| African arts in postcolonial context: new old meaning for sculptures in Nigeria B Ajibade, E Omon, W Oloidi Pakistan Journal of Social Sciences 8 (4), 172-80, 2011 | 9 | 2011 |
| Conscious or arbitrary: Colour and symbolism in carnival Calabar B Ajibade, SE Obongha Arts and Design Studies 4, 12-23, 2012 | 7 | 2012 |
| Speaking French, seeing English: Cameroon's youth audience for Nigerian videos B Ajibade The Review of Education, Pedagogy, and Cultural Studies 31 (4), 409-425, 2009 | 7 | 2009 |
| From Lagos to Douala: Seeing spaces and popular video audiences B Ajibade Postcolonial Text 3 (2), 2007 | 7 | 2007 |
| ‘Lady no be so’: the image of women in contemporary church posters in Nigeria B Ajibade Visual Studies 27 (3), 237-247, 2012 | 6 | 2012 |
| Anti-bullet charms, lie-detectors and street justice: the Nigerian Youth and the ambiguities of self-remaking B Ajibade An Article presented at the International Conference, Youth and the Global …, 2006 | 6 | 2006 |
| The need to deemphasise theoretic projects and emphasise experimental research among arts students in Nigerian universities B Ajibade The Social Sciences 3 (1), 12-16, 2008 | 3 | 2008 |
| Socio-cultural Environment as Impetus for Art: Adapting Fish Forms for Mask Production ZB Bozimo, B Ajibade Journal of Educational and Social Research 2, 2012 | 2 | 2012 |
| Video films in Nigeria: Citizenship and contested identities B Ajibade Verlag nicht ermittelbar, 2012 | 2 | 2012 |
| Nollywod videos: Is a western audience possible B Ajibade Nollywood and beyond: Transnational dimensions of an African video film industry, 0 | 2 | |
| Adapting Tiv, Fulani and Tamil Motifs to Forge Inter-ethnic Coexistence through Mixed Media Paintings SV Egharevba, O Ayi, B Ajibade Journal of Social and Environmental Sciences 1 (1), 27, 2019 | 1 | 2019 |
| Citizenship and Contested Identity in Contemporary Nigerian Video Film B Ajibade Verlag nicht ermittelbar, 2005 | 1 | 2005 |
| Fabricating a DC 24V Pugmill for the Department of Visual Arts, University of Cross River State, Calabar. PA Undie, NE Elemi, S Muze, B Ajibade Journal of Social and Environmental Sciences 4 (1), 17, 2022 | | 2022 |
