| Margins and marginality: the printed page in early modern England EB Tribble University of Virginia Press, 1993 | 328 | 1993 |
| Cognition in the globe: Attention and memory in Shakespeare’s theatre E Tribble Springer, 2011 | 316 | 2011 |
| Distributing cognition in the globe EB Tribble Shakespeare Quarterly 56 (2), 135-155, 2005 | 241 | 2005 |
| Cognitive ecology as a framework for Shakespearean studies E Tribble, J Sutton | 121 | 2011 |
| Cognitive Ecologies and the History of Remembering: Religion, education and memory in early modern England E Tribble, N Keene Springer, 2011 | 84 | 2011 |
| Early Modern Actors and Shakespeare's Theatre E Tribble Bloomsbury Publishing, 2017 | 65 | 2017 |
| Embodied Cognition and Shakespeare’s Theatre L Johnson, J Sutton, E Tribble Routledge, 2014 | 49 | 2014 |
| Minds in and out of time: memory, embodied skill, anachronism, and performance EB Tribble, J Sutton Textual Practice 26 (4), 587-607, 2012 | 45 | 2012 |
| " The Dark Backward and Abysm of Time":" The Tempest" and Memory EB Tribble College Literature, 151-168, 2006 | 37 | 2006 |
| The Palgrave handbook of Early Modern literature and science E Tribble, H Marchitello New York: Palgrave Macmillan, 2017 | 35 | 2017 |
| ‘Like a Looking-Glas in the Frame’: From the Marginal Note to the Footnote EB Tribble The margins of the text, 229-244, 1997 | 27 | 1997 |
| Affective Contagion on the Early Modern Stage E Tribble Affect Theory and Early Modern Texts: Politics, Ecologies, and Form, 195-212, 2017 | 23 | 2017 |
| Marlowe's boy actors E Tribble Shakespeare Bulletin 27 (1), 5-17, 2009 | 23 | 2009 |
| Pretty and apt: Boy actors, skill, and embodiment E Tribble | 17 | 2016 |
| Distributed cognition, mindful bodies and the arts of acting EB Tribble Theatre, performance and cognition: Languages, bodies and ecologies, 132-140, 2016 | 16 | 2016 |
| Interdisciplinarity and Cognitive Approaches to Performance E Tribble, J Sutton Affective Performance and Cognitive Science: Body, Brain, and Being, 27-37, 2014 | 16 | 2014 |
| “When Every Noise Appalls Me”: Sound and Fear in Macbeth and Akira Kurosawa's Throne of Blood E Tribble Shakespeare 1 (1-2), 75-90, 2005 | 16 | 2005 |
| Sight and spectacle E Tribble Shakespeare’s Theatres and the Effects of Performance, 237-52, 2013 | 14 | 2013 |
| Materialists are not merchants of vanishing J Sutton | 13 | 2012 |
| The chain of memory: distributed cognition in early modern England E Tribble Scan: Journal of media arts culture 2, 135-155, 2005 | 12 | 2005 |
