| Epistemologies of applied ethnomusicology K Harrison Ethnomusicology 56 (3), 505-529, 2012 | 101 | 2012 |
| Applied ethnomusicology: Historical and contemporary approaches K Harrison, E Mackinlay, S Pettan Cambridge Scholars Publishing, 2010 | 101* | 2010 |
| The Second Wave of Applied Ethnomusicology K Harrison MUSICultures 41 (2), 2014 | 44 | 2014 |
| Why Applied Ethnomusicology? K Harrison COLLeGIUM: Studies across disciplines in the humanities and social sciences, 2016 | 25 | 2016 |
| Music, Health, and Socio-economic Status: A Perspective on Urban Poverty in Canada K Harrison Yearbook for Traditional Music 45, 58-73, 2013 | 24 | 2013 |
| The Relationship of Poverty to Music K Harrison Yearbook for Traditional Music 45, 1-12, 2013 | 23 | 2013 |
| Evaluating Values in Applied Ethnomusicology K Harrison The Oxford Handbook of Applied Ethnomusicology, 93-108, 2015 | 19 | 2015 |
| “Singing my Spirit of Identity”: Aboriginal Music for Well-being in a Canadian Inner City K Harrison MUSICultures 36, 1-21, 2009 | 18 | 2009 |
| Special Section on Music and Poverty K Harrison Yearbook for Traditional Music 45, xi-xi, 2013 | 16 | 2013 |
| Indigenous music sustainability during climate change K Harrison Current Opinion in Environmental Sustainability 43, 28-34, 2020 | 15 | 2020 |
| The Kwagiulth Dancers: Addressing Intellectual Property Issues at Victoria's First Peoples Festival K Harrison The World of Music 44 (1), 137-151, 2002 | 14 | 2002 |
| Music Downtown Eastside: Human Rights and Capability Development through Music in Urban Poverty K Harrison Oxford University Press, 2020 | 12 | 2020 |
| The social potential of music for addiction recovery K Harrison Music & Science 2, 1-16, 2019 | 12 | 2019 |
| Heart of the City: Music of Community Change in Vancouver, British Columbia’s Downtown Eastside K Harrison unpublished PhD dissertation, York University, Toronto, Canada, 2008 | 10 | 2008 |
| New Skies Above: Sense-bound and place-based songwriting as a trauma response for asylum seekers and refugees K Harrison, K Jacobsen, N Sunderland Journal of Applied Arts & Health 10 (2), 147-167, 2019 | 8 | 2019 |
| Sustainability and Indigenous Aesthetics: Musical Resilience in Sámi and Indigenous Canadian Theatre K Harrison Yearbook for Traditional Music 51, 17-48, 2019 | 7 | 2019 |
| Victoria's First Peoples Festival: Embodying Kwakwaka'wakw History in Presentations of Music and Dance in Public Spaces K Harrison York University Toronto, Ontario, 2000 | 7 | 2000 |
| Musical Form as Theatrical Form in Native Canadian Stage Plays: Moving through the Third Space K Harrison Aboriginal Music in Contemporary Canada: Echoes and Exchanges, 249-270, 2012 | 6 | 2012 |
| Musical Intertextuality in Indigenous Film: Making and Remaking In the Land of the Head Hunters K Harrison Return to the Land of the Head Hunters: Edward S. Curtis, The Kwakwaka’wakw …, 2014 | 5 | 2014 |
| Yearbook for Traditional Music, Special Half-Issue" Music and Poverty" K Harrison International Council for Traditional Music, 2013 | 3 | 2013 |
Liz MackinlayProfessor, Southern Cross University在 scu.edu.au 的电子邮件经过验证
