Fondements d'une sémiologie de la musique JJ Nattiez, JM Dunsby Perspectives of New Music, 226-233, 1977 | 863 | 1977 |
Music Analysis in Theory and Practice J Dunsby Yale University Press, 1988 | 356 | 1988 |
Performing music: shared concerns J Dunsby Oxford University Press, 1995 | 240 | 1995 |
Schubert (1928) TW Adorno, J Dunsby, B Perrey Schubert, 109-120, 2017 | 130 | 2017 |
Schoenberg J Dunsby Cambridge University Press, 1992 | 111 | 1992 |
Guest editorial: performance and analysis of music J Dunsby Music Analysis, 5-20, 1989 | 111 | 1989 |
Considerations of texture J Dunsby Music & Letters 70 (1), 46-57, 1989 | 75 | 1989 |
Roland Barthes and the Grain of Panzéra's Voice J Dunsby Journal of the Royal Musical Association 134 (1), 113-132, 2009 | 74 | 2009 |
Structural Ambiguity in Brahms: Analytical Approaches to Four Works J Dunsby (No Title), 1981 | 70 | 1981 |
The Multi-Piece in Brahms: Fantasien Op. 116 J Dunsby na, 1983 | 67 | 1983 |
Music and semiotics: The nattiez phase J Dunsby The Musical Quarterly 69 (1), 27-43, 1983 | 61 | 1983 |
Making words sing: nineteenth-and twentieth-century song J Dunsby Cambridge University Press, 2004 | 60 | 2004 |
Performers on performance J Dunsby Musical performance: A guide to understanding, 225-236, 2002 | 51 | 2002 |
Thematic and motivic analysis J Dunsby The Cambridge history of Western music theory, 907-926, 2002 | 50 | 2002 |
SCHOENBERG AND WRITINGS OF SCHENKER JM Dunsby Journal of the Arnold Schoenberg Institute 2 (1), 26-33, 1977 | 44 | 1977 |
Análise musical na teoria e na prática J Dunsby, A Whittall Tradução de Norton Dudeque. Curitiba: Ed. UFPR, 2011 | 31 | 2011 |
The case for a Schenkerian semiotic J Dunsby, J Stopford Music Theory Spectrum 3, 49-53, 1981 | 24 | 1981 |
Early twentieth-century music J Dunsby (No Title), 1993 | 23* | 1993 |
A Hitch Hiker's Guide to Semiotic Music Analysis J Dunsby Music Analysis, 235-242, 1982 | 23 | 1982 |
Schoenberg on cadence J Dunsby Journal of the Arnold Schoenberg Institute 4 (1), 41-49, 1980 | 23 | 1980 |