| When Fiction Feels Real: Representation and the Reading Mind E Auyoung Oxford University Press, 2018 | 80 | 2018 |
| What we mean by reading E Auyoung New Literary History 51 (1), 93-114, 2020 | 26 | 2020 |
| Rethinking the Reality Effect: Detail and the Novel E Auyoung | 26 | 2015 |
| Partial cues and narrative: Understanding in Anna Karenina E Auyoung Stories and Minds: Cognitive Approaches to Literary Narrative, 59-78, 2013 | 22 | 2013 |
| Standing Outside Bleak House E Auyoung Nineteenth-Century Literature 68 (2), 180-200, 2013 | 15 | 2013 |
| The sense of something more in art and experience E Auyoung Style 44 (4), 547-565, 2010 | 15 | 2010 |
| Phantoms and Fictional Persons: Hardy's Phenomenology of Loss E Auyoung Victorian Studies 59 (3), 399-408, 2017 | 7 | 2017 |
| Cognitive Studies E Auyoung The Encyclopedia of Victorian Literature, 1-7, 2015 | 2 | 2015 |
| The Unspoken Intimacy of Aesthetic Experience: Hardy and Degas E Auyoung Poetics Today 41 (2), 301-314, 2020 | 1 | 2020 |
| Becoming Sensitive: Literary Study and Learning to Notice E Auyoung PMLA 138 (1), 158-164, 2023 | | 2023 |
| Narrative Theory E Auyoung The Routledge Companion to Victorian Literature, 217-225, 2019 | | 2019 |
| Reading E Auyoung Victorian Literature and Culture 46 (3/4), 823-26, 2018 | | 2018 |
