An environment for submillisecond-latency audio and sensor processing on BeagleBone Black A McPherson, V Zappi Audio Engineering Society Convention 138, 2015 | 176 | 2015 |
Action-sound latency: Are our tools fast enough? AP McPherson, RH Jack, G Moro New Interfaces for Musical Expression, 2016 | 107 | 2016 |
The magnetic resonator piano: Electronic augmentation of an acoustic grand piano A McPherson Journal of New Music Research 39 (3), 189-202, 2010 | 96 | 2010 |
Design for Longevity: Ongoing Use of Instruments from NIME 2010-14 F Morreale, AP McPherson New Interfaces for Musical Expression, 2017 | 95 | 2017 |
Audio effects: theory, implementation and application JD Reiss, A McPherson CRC Press, 2014 | 90 | 2014 |
Dimensionality and Appropriation in Digital Musical Instrument Design V Zappi, AP McPherson Proc. NIME, 2014 | 85 | 2014 |
Building a maker community around an open hardware platform F Morreale, G Moro, A Chamberlain, S Benford, AP McPherson Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems …, 2017 | 73 | 2017 |
The Problem of the Second Performer: Building a Community Around an Augmented Piano A McPherson, Y Kim Computer Music Journal 36 (4), 10-27, 2012 | 67 | 2012 |
Augmenting the Acoustic Piano with Electromagnetic String Actuation and Continuous Key Position Sensing. AP McPherson, YE Kim NIME, 217-222, 2010 | 62 | 2010 |
TouchKeys: Capacitive Multi-Touch Sensing on a Physical Keyboard A McPherson Proc. NIME, 2012 | 58 | 2012 |
Making high-performance embedded instruments with Bela and Pure Data G Moro, A Bin, RH Jack, C Heinrichs, AP McPherson University of Sussex, 2016 | 57 | 2016 |
NIME Identity from the Performer’s Perspective F Morreale, AP McPherson, MM Wanderley NIME, 2018 | 51 | 2018 |
Action-sound latency and the perceived quality of digital musical instruments: comparing professional percussionists and amateur musicians RH Jack, A Mehrabi, T Stockman, AP McPherson Music Perception 36 (1), 2018 | 50 | 2018 |
Idiomatic patterns and aesthetic influence in computer music languages A McPherson, K Tahıroğlu Organised Sound 25 (1), 53-63, 2020 | 44 | 2020 |
Effect of latency on performer interaction and subjective quality assessment of a digital musical instrument RH Jack, T Stockman, A McPherson Proceedings of the audio mostly 2016, 116-123, 2016 | 44 | 2016 |
Musical instruments for novices: Comparing NIME, HCI and crowdfunding approaches A McPherson, F Morreale, J Harrison New directions in music and human-computer interaction, 179-212, 2019 | 43 | 2019 |
Bela: An embedded platform for low-latency feedback control of sound A McPherson The Journal of the Acoustical Society of America 141 (5_Supplement), 3618-3618, 2017 | 43 | 2017 |
Smart instruments: Towards an ecosystem of interoperable devices connecting performers and audiences L Turchet, A McPherson, C Fischione Proceedings of Sound and Music Computing Conference, 498-505, 2016 | 43 | 2016 |
A NIME of the Times: Developing an Outward-Looking Political Agenda For This Community F Morreale, SMA Bin, AP McPherson, P Stapleton, MM Wanderley New Interfaces for Musical Expression, 2020 | 41 | 2020 |
A low-cost real-time tracking system for violin LS Pardue, C Harte, AP McPherson Journal of New Music Research 44 (4), 305-323, 2015 | 41 | 2015 |