Pauline Larrouy-Maestri 个人学术档案

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引用	757	586
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Dominique MorsommeHead of the Research Unit for a life-Course perspective on Health and Education - RUCHE在 uliege.be 的电子邮件经过验证
David PoeppelErnst Struengmann Institute & NYU在 nyu.edu 的电子邮件经过验证
David MagisUniversity of Liège在 ulg.ac.be 的电子邮件经过验证
Peter M. C. HarrisonUniversity of Cambridge在 cam.ac.uk 的电子邮件经过验证
Pol van RijnPhD Candidate, Max Planck Institute for Empirical Aesthetics在 ae.mpg.de 的电子邮件经过验证
Natalie HolzMax Planck Institute for Empirical Aesthetics在 ae.mpg.de 的电子邮件经过验证
Nori JacobyMax Planck Institute for Empirical Aesthetics. Incoming assistant professor at Cornell (Fall 2024).在 ae.mpg.de 的电子邮件经过验证
Peter PfordresherProfessor, University at Buffalo, SUNY在 buffalo.edu 的电子邮件经过验证
Daniele SchonResearcher, INS, Marseille在 univ-amu.fr 的电子邮件经过验证
Yohana Leveque在 univ-lyon1.fr 的电子邮件经过验证
Ofer TchernichovskiProfessor, Dept. of Psychology, Hunter College, CUNY在 hunter.cuny.edu 的电子邮件经过验证
Federico AdolfiUniversity of Bristol & Ernst Strüngmann Institute, Max-Planck Society在 esi-frankfurt.de 的电子邮件经过验证
Raja MarjiehPhD Candidate, Princeton University在 princeton.edu 的电子邮件经过验证
Manuel Anglada-TortGoldsmiths, University of London在 gold.ac.uk 的电子邮件经过验证
Daniel MüllensiefenProfessor, Department of Psychology, Goldsmiths, University of London在 gold.ac.uk 的电子邮件经过验证
Isabelle PeretzProfessor University of Montreal在 umontreal.ca 的电子邮件经过验证
Sean HutchinsThe Royal Conservatory of Music在 rcmusic.ca 的电子邮件经过验证
Björn SchullerProfessor, Technische Universität München (TUM) / Imperial College London & CSO, audEERING在 tum.de 的电子邮件经过验证
jacqueline leybaertProfessor of Psychology, université libre de Bruxelles在 ulb.ac.be 的电子邮件经过验证
Régine KolinskyFRS-FNRS, Université Libre de Bruxelles在 ulb.ac.be 的电子邮件经过验证

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Pauline Larrouy-Maestri

Max Planck Institute for Empirical Aesthetics, Germany

在 aesthetics.mpg.de 的电子邮件经过验证 - 首页

sounds & meanings (prosody voice music...)


标题按引用次数排序按年份排序按标题排序	引用次数引用次数	年份
The evaluation of singing voice accuracy: A comparison between subjective and objective methods P Larrouy-Maestri, Y Lévêque, D Schön, A Giovanni, D Morsomme Journal of Voice 27 (2), 259. e1-259. e5, 2013	83	2013
Gibbs sampling with people P Harrison, R Marjieh, F Adolfi, P van Rijn, M Anglada-Tort, ... Advances in neural information processing systems 33, 10659-10671, 2020	59	2020
The mistuning perception test: A new measurement instrument P Larrouy-Maestri, PMC Harrison, D Müllensiefen Behavior Research Methods 51, 663-675, 2019	55	2019
Singing ability is rooted in vocal-motor control of pitch S Hutchins, P Larrouy-Maestri, I Peretz Attention, Perception, & Psychophysics 76, 2522-2530, 2014	49	2014
Criteria and tools for objectively analysing the vocal accuracy of a popular song P Larrouy-Maestri, D Morsomme Logopedics Phoniatrics Vocology 39 (1), 11-18, 2014	46	2014
The effects of stress on singing voice accuracy P Larrouy-Maestri, D Morsomme Journal of Voice 28 (1), 52-58, 2014	42	2014
The effect of smoking on the fundamental frequency of the speaking voice MR Ayoub, P Larrouy-Maestri, D Morsomme Journal of Voice 33 (5), 802. e11-802. e16, 2019	37	2019
The ACM multimedia 2022 computational paralinguistics challenge: Vocalisations, stuttering, activity, & mosquitoes B Schuller, A Batliner, S Amiriparian, C Bergler, M Gerczuk, N Holz, ... Proceedings of the 30th ACM International Conference on Multimedia, 7120-7124, 2022	36	2022
Vocal features of song and speech: Insights from Schoenberg's Pierrot Lunaire J Merrill, P Larrouy-Maestri Frontiers in psychology 8, 269856, 2017	35	2017
The paradoxical role of emotional intensity in the perception of vocal affect N Holz, P Larrouy-Maestri, D Poeppel Scientific reports 11 (1), 9663, 2021	34	2021
On drawing a line through the spectrogram: how do we understand deficits of vocal pitch imitation? PQ Pfordresher, P Larrouy-Maestri Frontiers in Human Neuroscience 9, 271, 2015	34	2015
Effects of melody and technique on acoustical and musical features of western operatic singing voices P Larrouy-Maestri, D Magis, D Morsomme Journal of Voice 28 (3), 332-340, 2014	33	2014
The evaluation of vocal pitch accuracy: The case of operatic singing voices P Larrouy-Maestri, D Magis, D Morsomme Music Perception: An Interdisciplinary Journal 32 (1), 1-10, 2014	27	2014
“I know it when I hear it” On listeners’ perception of mistuning P Larrouy-Maestri Music & Science 1, 2059204318784582, 2018	23	2018
Layman versus Professional Musician: Who Makes the Better Judge? P Larrouy-Maestri, D Magis, M Grabenhorst, D Morsomme Plos One, 2015	23	2015
Pitch perception in music: Do scoops matter? P Larrouy-Maestri, PQ Pfordresher Journal of Experimental Psychology: Human Perception and Performance 44 (10 …, 2018	21	2018
The variably intense vocalizations of affect and emotion (VIVAE) corpus prompts new perspective on nonspeech perception. N Holz, P Larrouy-Maestri, D Poeppel Emotion 22 (1), 213, 2022	14	2022
The benefit of musical and linguistic expertise on language acquisition in sung material P Larrouy-Maestri, J Leybaert, R Kolinsky Musicae Scientiae 17 (2), 217-228, 2013	14	2013
Perception of Nigerian dùndún talking drum performances as speech-like vs. music-like: The role of familiarity and acoustic cues C Durojaye, L Fink, T Roeske, M Wald-Fuhrmann, P Larrouy-Maestri Frontiers in psychology 12, 652673, 2021	13	2021
Exploring emotional prototypes in a high dimensional TTS latent space P Van Rijn, S Mertes, D Schiller, P Harrison, P Larrouy-Maestri, E André, ... arXiv preprint arXiv:2105.01891, 2021	11	2021

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