| Computer-aided composition of musical processes D Bouche, J Nika, A Chechile, J Bresson Journal of New Music Research 46 (1), 3-14, 2017 | 22 | 2017 |
| Creating Spatial Depth Using Distortion Product Otoacoustic Emissions in Music Composition. A Chechile ICAD, 50-53, 2015 | 8 | 2015 |
| Music re-informed by the brain AA Chechile Rensselaer Theses and Dissertations Online Collection, 2007 | 7 | 2007 |
| VampireVerb: A surreal simulation of the acoustics of Dracula’s Castle A Chechile, C Basica, EK Canfield-Dafilou, JS Abel The Journal of the Acoustical Society of America 142 (4_Supplement), 2718-2718, 2017 | 4 | 2017 |
| Practical Applications of Difference Tones in Electronic Music Composition and Synthesis A Chechile Stanford University, 2020 | 1 | 2020 |
| Evaluation of complex stimuli and resulting distortion product spectrum in auditory distortion product synthesis A Chechile The Journal of the Acoustical Society of America 142 (4_Supplement), 2607-2607, 2017 | 1 | 2017 |
| The Ear Tone Toolbox for Auditory Distortion Product Synthesis A Chechile ICMC, 2016 | 1 | 2016 |
| The Perception of Auditory Distortion Products from Orchestral Crotales A Chechile International Conference on Music Perception and Cognition, 2016 | | 2016 |
| Encoding of staggered polyphonic musical motives: the effects of time-offset between motif entries on mismatch negativity (MMN) M Huberth, A Chechile, S Shepard, T Fujioka THE NEUROSCIENCES AND MUSIC – V Cognitive Stimulation and Rehabilitation, 2014 | | 2014 |
| Composing with Otoacoustic Emissions, Ultrasonic Speakers, and Neurobiofeedback A Chechile Conference: Deep Listening: Art/Science, 2013 | | 2013 |
| Liner notes for Pauline Oliveros Reverberations: Tape and Electronic Music 1961-70 Box Set A Chechile Important Records, 2012 | | 2012 |
