| Encoding Post-Spectral Sound: Kaija Saariaho’s Early Electronic Works at IRCAM, 1982–87 L Morrison Music Theory Online 27 (3), 2021 | 8 | 2021 |
| Sensate sovereignty: A dialogue on Dylan Robinson's hungry lIstening S Couture, J Sterne, M Sawhney, S Roburn, A Kelleher, B Köstem, ... Amodern, 2020 | 5 | 2020 |
| Entangling Entanglement: A Diffractive Dialogue on HCI and Musical Interactions L Morrison, A McPherson CHI Conference on Human Factors in Computing Systems, http://dx.doi.org/10 …, 2024 | 2 | 2024 |
| Hearing Timbre at the Crossroads L Morrison Kalfou 9 (2), 328-336, 2022 | 1 | 2022 |
| On the Horizon of Digital Technics in Kaija Saariaho’s «IO» and «Nymphéa» L Morrison Archival Notes, 2022 | 1 | 2022 |
| Rhythm Quantization: Notes on the History of a Technocultural Practice L Morrison The Oxford Handbook of Time in Music, 341–365, 2021 | 1 | 2021 |
| Playing with Shadows: Reinjection Loops and Historical Allusion in Georg Friedrich Haas’s Live Electronic Music L Morrison Circuit 29 (2), 63-82, 2019 | 1 | 2019 |
| Graphical Music Representations: A Comparative Study Based on the Aural Analysis of Philippe Leroux’s MÉ L Morrison Electroacoustic Music Studies, Berlin, 2014 | 1 | 2014 |
| Sonic Entanglements with Electromyography: Between Bodies, Signals, and Representations CN Reed, L Morrison, AP McPherson, D Fierro, A Tanaka Proceedings of the 2024 ACM Designing Interactive Systems Conference, 2691-2707, 2024 | | 2024 |
| Electroacoustics, Optics, and Microtonal Aesthetics in the Music of Georg Friedrich Haas L Morrison, A Bauer The Oxford Handbook of Spectral Music, https://doi.org/10.1093/oxfordhb/9780190, 2023 | | 2023 |
| Making Orchestras Speak/ Making Machines Listen L Morrison SMTPOD: The Society of Music Theory Podcast 1 (14), https://player.captivate …, 2022 | | 2022 |
| Reassembling Kaija Saariaho’s Vers le blanc (1982) L Morrison Mitteilungen der Paul Sacher Stiftung 33, 37-44, 2020 | | 2020 |
| Strange yet Familiar Sounds in Zosha Di Castri’s String Quartet No. 1 L Morrison Circuit 28 (2), 83-98, 2018 | | 2018 |
| Transmedial aesthetics and mimetic models in the music of Panayiotis Kokoras L Morrison Nuove Musiche 4, 119-139, 2018 | | 2018 |
| Review of Brian Kane, Sound Unseen: Acousmatic Sound in Theory and Practice (Oxford, 2014) L Morrison Music Theory Online 21 (1), 2015 | | 2015 |
Andrew McPhersonChair in Design Engineering and Music, Imperial College London在 imperial.ac.uk 的电子邮件经过验证
Andrew McPhersonChair in Design Engineering and Music, Imperial College London在 imperial.ac.uk 的电子邮件经过验证
Amy BauerProfessor of Music, University of California, Irvine在 uci.edu 的电子邮件经过验证