| More than just free content: Motivations of peer-to-peer file sharers M Cenite, M Wanzheng Wang, C Peiwen, G Shimin Chan Journal of Communication Inquiry 33 (3), 206-221, 2009 | 113 | 2009 |
| Eternalized Fragments: Reclaiming Aesthetics in Contemporary World Fiction WM Wang The Ohio State University Press, 2020 | 11 | 2020 |
| Postmodern Play with Worlds: The Case of At Swim-Two-Birds WM Wang Possible Worlds Theory and Contemporary Narratology, 132-156, 2019 | 9 | 2019 |
| Narrating Death: The Limit of Literature DK Jernigan, W Wadiak, WM Wang Routledge, 2019 | 8 | 2019 |
| Readerly Plays: Narration and Formal Experimentation in Marina Carr's Hecuba WM Wang Style 54 (4), 399-417, 2020 | 4 | 2020 |
| [這又不是演戲] "We're not playacting here": Self-Reflexivity in the Taiwanese Idol-Drama WM Wang Journal of Narrative Theory 45 (1), 105-140, 2015 | 4 | 2015 |
| Hearing the Unsaid: Musical Narration in The Journey of Flower and Nirvana in Fire WM Wang Narrative 26 (1), 81-103, 2018 | 3 | 2018 |
| The Routledge Companion to Death and Literature WM Wang, DK Jernigan, N Murphy Routledge, 2021 | 2 | 2021 |
| Parodic intertextuality in the Taiwanese idol drama WM Wang Critical Studies in Television 11 (3), 315-329, 2016 | 2 | 2016 |
| Lightness of Touch: Subtracting Weight from the Narrative Structure of At Swim-Two-Birds WM Wang The Review of Contemporary Fiction 31 (3), 134-147, 2011 | 2 | 2011 |
| Concealed Strokes: Fu-bi as Aesthetic Principle WM Wang The Routledge Companion to Literature and Art, 492-505, 2024 | | 2024 |
| The Routledge Companion to Literature and Art N Murphy, WM Wang, CJ Lee | | 2024 |
| Emotions that Haunt: Attachment Relations in Lan Samantha Chang’s Fiction WM Wang Ethnic American Literatures and Critical Race Narratology, 83-99, 2022 | | 2022 |
| Artistic self-representations and cognitive complexity in Roz Chast’s Can’t We Talk About Something More Pleasant? WM Wang Prose Studies, 1-20, 2021 | | 2021 |
| Death and Chinese War Television Dramas: (Re)configuring Ethical Judgments in The Disguiser WM Wang The Routledge Companion to Death and Literature, 416-424, 2021 | | 2021 |
| Screen to Screen: Adaptation and Transnational Circulation of Chinese (Web) Novels for Television WM WANG Media Culture in Transnational Asia: Convergences and Divergences, 104-138, 2020 | | 2020 |
| Blood Meridian, the Sublime, and Aesthetic Narrativizations of Death WM Wang Narrating Death: The Limit of Literature, 161-175, 2019 | | 2019 |
| Writing for the Ear: Alasdair Gray the Playwright WM Wang The Review of Contemporary Fiction 34 (1), 90-107, 2014 | | 2014 |
| Formal Structures of Literary Beauty in Daniel Alarcón’s Short Fiction WM Wang Exploring the Critical Issues of Beauty, 183-193, 2012 | | 2012 |
