Visual perception of expressiveness in musicians' body movements S Dahl, A Friberg Music Perception 24 (5), 433-454, 2007 | 469 | 2007 |
Gestures in performance S Dahl, F Bevilacqua, R Bresin musical Gestures, 48-80, 2010 | 139 | 2010 |
Multisensory integration of drumming actions: musical expertise affects perceived audiovisual asynchrony K Petrini, S Dahl, D Rocchesso, CH Waadeland, F Avanzini, A Puce, ... Experimental brain research 198, 339-352, 2009 | 125 | 2009 |
Playing the accent-comparing striking velocity and timing in an ostinato rhythm performed by four drummers S Dahl Acta Acustica united with Acustica 90 (4), 762-776, 2004 | 125 | 2004 |
The playing of an accent–preliminary observations from temporal and kinematic analysis of percussionists S Dahl Journal of New Music Research 29 (3), 225-233, 2000 | 90 | 2000 |
Action expertise reduces brain activity for audiovisual matching actions: an fMRI study with expert drummers K Petrini, FE Pollick, S Dahl, P McAleer, L McKay, D Rocchesso, ... Neuroimage 56 (3), 1480-1492, 2011 | 88 | 2011 |
Expressiveness of musician’s body movements in performances on marimba S Dahl, A Friberg International Gesture Workshop, 479-486, 2003 | 77 | 2003 |
On the beat: Human movement and timing in the production and perception of music S Dahl KTH, 2005 | 52 | 2005 |
Striking movements: A survey of motion analysis of percussionists S Dahl Acoustical science and technology 32 (5), 168-173, 2011 | 51 | 2011 |
Movements and analysis of drumming S Dahl Oxford University Press, 2012 | 45 | 2012 |
Characterizing movement fluency in musical performance: Toward a generic measure for technology enhanced learning V Gonzalez-Sanchez, S Dahl, JL Hatfield, RI Godøy Frontiers in psychology 10, 413120, 2019 | 38 | 2019 |
Is the player more influenced by the auditory than the tactile feedback from the instrument S Dahl, R Bresin Proc. of the cost-g6 workshop on digital audio effects (dafx-01), limerick …, 2001 | 38 | 2001 |
Preferred dance tempo: does sex or body morphology influence how we groove? S Dahl, D Huron, G Brod, E Altenmüller Journal of New Music Research 43 (2), 214-223, 2014 | 36 | 2014 |
Motor control in drumming: Influence of movement pattern on contact force and sound characteristics S Dahl, E Altenmüller | 35 | 2008 |
Facial expression and vocal pitch height: Evidence of an intermodal association. D Huron, S Dahl, R Johnson Empirical Musicology Review 4 (3), 93-100, 2009 | 31 | 2009 |
Experiments on gestures: walking, running, and hitting R Bresin, S Dahl The sounding object, 111-136, 2003 | 29 | 2003 |
Ghost in the Cave–an interactive collaborative game using non-verbal communication ML Rinman, A Friberg, B Bendiksen, D Cirotteau, S Dahl, I Kjellmo, ... International Gesture Workshop, 549-556, 2003 | 25 | 2003 |
Spectral changes in the tom-tom related to striking force S Dahl Royal Institute of Technology, Department of Speech, Music and Hearing, 1996 | 21 | 1996 |
Effect of dynamic level in drumming: Measurement of striking velocity, force, and sound level S Dahl, M Grossbach, E Altenmüller Proceedings of Forum Acusticum, 621-624, 2011 | 17 | 2011 |
Exploring sound-motion textures in drum set performance RI Godøy, S Dahl 14th Sound & Music Computing Conference, 2017 | 16 | 2017 |