Global icons: Apertures to the popular B Ghosh Duke University Press, 2011 | 122 | 2011 |
When Borne Across: Literary Cosmopolitics in the Contemporary Indian Novel B Ghosh (No Title), 2004 | 115 | 2004 |
Interventions: Feminist Dialogues on Third World Women's Literature and Film B Ghosh, B Bose Routledge, 2019 | 57 | 2019 |
On grafting the vernacular: The consequences of postcolonial spectrology B Ghosh boundary 2 31 (2), 197-218, 2004 | 48 | 2004 |
Looking through Coca-Cola: global icons and the popular B Ghosh Public Culture 22 (2), 333-368, 2010 | 31 | 2010 |
An Invitation to Indian Postmodernity: Rushdie’s English Vernacular as Situated Cultural Hybridity B Ghosh na, 1999 | 31 | 1999 |
The cinema of displacement: Towards a politically motivated poetics B Ghosh, B Sarkar Film criticism 20 (1/2), 102-113, 1995 | 27 | 1995 |
An affair to remember: Scripted performances in the “Nasreen Affair” B Ghosh Going Global, 39-83, 2014 | 25 | 2014 |
The postcolonial bazaar: Thoughts on teaching the market in postcolonial objects B Ghosh Postmodern Culture 9 (1), 1998 | 24 | 1998 |
Comparative microbiological analysis of raw fishes and sun-dried fishes collected from the Kawran bazaar in Dhaka city, Bangladesh IT Nur, BK Ghosh, M Acharjee Food Research 4 (3), 846-851, 2020 | 22 | 2020 |
Satyajit Ray's Devi: constructing a third–world feminist critique B Ghosh Screen 33 (2), 165-173, 1992 | 21 | 1992 |
The Subaltern at the Edge of the Popular B Ghosh Postcolonial Studies 8 (4), 459-474, 2005 | 20 | 2005 |
Queering Hindutva: Unruly Bodies and Pleasures in Sadhavi Rithambara's Performances B Ghosh Right-Wing Women, 259-272, 2013 | 16 | 2013 |
Sensate outlaws: The recursive social bandit in Indian popular cultures B Ghosh Figurations in Indian Film, 21-43, 2013 | 14 | 2013 |
‘We shall drown, but we shall not move’: The Ecologics of Testimony in NBA Documentaries B Ghosh Documentary testimonies: Global archives of suffering, 59-82, 2009 | 13 | 2009 |
TWO THE COSTS OF LIVING: REFLECTIONS ON GLOBAL HEALTH CRISES B Ghosh AIDS and the Distribution of Crises, 60, 2020 | 12 | 2020 |
Once There Was Cosmopolitanism: Enchanted Pasts as Global History in the Contemporary Novel B Ghosh ariel: a review of international english literature 42 (1), 2011 | 12 | 2011 |
The security aesthetic in Bollywood’s high-rise horror B Ghosh Representations 126 (1), 58-84, 2014 | 11 | 2014 |
The proximate truth: Reenactment in the pandemic-era HIV/AIDS documentaries B Ghosh BioScope: South Asian Screen Studies 3 (1), 69-86, 2012 | 10 | 2012 |
The Virus Touch: Theorizing Epidemic Media B Ghosh Duke University Press, 2023 | 7 | 2023 |