| Franz Liszt and the development of 19th-century pianism: a re-reading of the evidence A Davison The Musical Times 147 (1896), 33-43, 2006 | 42 | 2006 |
| Virtuosity domesticated: Portraits of Franz Liszt by two Biedermeier artists A Davison Nineteenth-Century Music Review 2 (1), 3-22, 2005 | 8 | 2005 |
| The Musician in Iconography from the 1830s and 1840s: The Formation of New Visual Types A Davison Music in Art, 147-162, 2003 | 8 | 2003 |
| High-art Music and Low-brow Types: Physiognomy and Nineteenth-century Iconography Music A Davison Context: Journal of Music Research, 5-19, 1999 | 8 | 1999 |
| Franz Liszt and the Physiognomic Ideal in the Nineteenth Century A Davison Music in Art, 133-144, 2005 | 7 | 2005 |
| The Face of a Musical Genius: Thomas Hardy's Portrait of Joseph Haydn A Davison Eighteenth-Century Music 6 (2), 209-227, 2009 | 6 | 2009 |
| Franz Liszt amongst the degenerates: On the vagaries of being a musical genius, c. 1890–c. 1935 A Davison Liszt's Legacies, 2014 | 5 | 2014 |
| Woven songs and musical mirrors: Dante Gabriel Rossetti's' symbolic physiognomy'of music A Davison The British Art Journal, 89-94, 2012 | 5 | 2012 |
| Technology Enabled Crime: Examining the Role of Cryptocurrency A McCord, P Birch, A Davison Kriminologie-Das Online-Journal| Criminology-The Online Journal, 2022 | 4 | 2022 |
| A Darwinian Approach to Postmodern Critical Theory: Or, How Did Bad Ideas Colonise the Academy? A Davison Society 57 (4), 417-424, 2020 | 4 | 2020 |
| Liszt and Caricatures: The Clarity of Distortion A Davison Liszt: A Chorus of Voices. Essays, Interviews, and Reminiscences, 2012 | 4 | 2012 |
| Representing Music-Making A Davison The Routledge Companion to Music and Visual Culture, 2014 | 3 | 2014 |
| Painting for a Requiem: Mihály Munkácsy's The last moments of Mozart (1885) A Davison Early Music 39 (1), 79-92, 2011 | 3 | 2011 |
| SMEs and Explainable AI: Australian Case Studies E Wright, J Zhou, D Lindsay, L Przhedetsky, F Chen, A Davison Computers & Law: Journal for the Australian and New Zealand Societies of …, 2022 | 2 | 2022 |
| Late eighteenth-century music and visual culture C Eisen, A Davison Brepols, 2017 | 2 | 2017 |
| Collecting Musical Prints in Late Eighteenth-Century England: Taste, Self-Improvement and John Bland’s “Portrait Series” A Davison Music in Art 41 (1-2), 203-213, 2016 | 2 | 2016 |
| Thomas Hardy's Portrait of Joseph Haydn: A Study in the Conventions of Late Eighteenth-Century British Portraiture A Davison Music in Art, 235-246, 2008 | 2 | 2008 |
| Studies in the Iconography of Franz Liszt A Davison University of Melbourne, Faculty of Music, 2001 | 2 | 2001 |
| Multiculturalism, social distance and “Islamophobia”: Reflections on anti-racism research in Australia and beyond A Davison Society 59 (1), 42-51, 2022 | 1 | 2022 |
| RETHINKING MUSIC IN ART: NEW DIRECTIONS IN MUSIC ICONOGRAPHY. A Davison, H Johnson Music in Art: International Journal for Music Iconography 35, 2010 | 1 | 2010 |
