| Customizing post-apartheid Johannesburg: the dialectic of errancy in Ralph Ziman’s Jerusalema AS Mututa Safundi 21 (2), 206-223, 2020 | 4 | 2020 |
| Johannesburg in Transition: Representing Street Encounters as Racial Registers in Clint Eastwood's Invictus AS Mututa Critical Arts 33 (2), 1-13, 2019 | 4 | 2019 |
| Vertical heterotopias: Territories and power hierarchies in Tosh Gitonga’s Nairobi half life AS Mututa Narratives of Place in Literature and Film, 158-170, 2018 | 3 | 2018 |
| The casebre on the sand: Reflections on Luanda's excepted citizenship through the cinematography of Maria João Ganga's Na Cidade Vazia (2004) A Mututa Journal of African Cinemas 11 (3), 277-293, 2019 | 2 | 2019 |
| Gender and Cinema: A Case of Kenya's Riverwood Cinema A Mututa LAP Lambert Academic Publishing, 2011 | 2 | 2011 |
| Epistemology of the Ethnographic Image: Hybridizing Genre in South Sudan’s Autobiographical Cinema AS Mututa Visual Anthropology 37 (3), 283-300, 2024 | 1 | 2024 |
| Theorizing Afrophobia Beyond Apartheid: Conflict Cultures in Neill Blomkamp's District 9 A Mututa Critical Arts 37 (3), 17-31, 2023 | 1 | 2023 |
| Battered bodies: Characterizing Johannesburg’s apartheid past and present in Gavin Hood’s Tsotsi A Mututa Journal of African Cinemas 12 (2-3), 213-228, 2020 | 1 | 2020 |
| A Companion to African Cinema, Kenneth Harrow and Carmela Garritano (eds)(2019). AS Mututa Journal of African Cinemas 12 (1), 2020 | 1 | 2020 |
| Africa’s Lost Classics: New Histories of African Cinema, Lizelle Bisschoff and David Murphy (eds) (2014) AS Mututa Journal of African Cinemas, 2024 | | 2024 |
| Multiphrenic Identities and Cultural Theory in Post-Apartheid Literary Adaptations: Reflections on Ramadan Suleiman’s Film Version of Njabulo Simakhale Ndebele’s Fools A Mututa, K Tomaselli Current Writing: Text and Reception in Southern Africa 36 (1), 56-68, 2024 | | 2024 |
| Conflict Cultures and the New South Africa A Mututa https://herri.org.za/10/addamms-mututa/, 2024 | | 2024 |
| ‘Southern Cinema Aesthetics’: broadly imagined in multiple frames A Mututa https://herri.org.za/10/addamms-mututa-2/, 2024 | | 2024 |
| Nationhood in South Sudan Cinema: The Iconicity of Motherhood in Akuol de Mabior’s No Simple Way Home (2023) AS Mututa African Studies Review, 1-24, 2024 | | 2024 |
| The Battle of Algiers, Alan O’Leary (2019) A Mututa Journal of African Cinemas, 2023 | | 2023 |
| Space and Time in African Cinema and Cine-scapes, Kenneth W. Harrow (2022) A Mututa Journal of African Cinemas, 2023 | | 2023 |
| Cultural Globalization and Transnational Cinema: On Intersectionality and Ethnoscapes in Hermine Huntgeburth’s Die weiße Massai AS Mututa Visual Anthropology 36 (5), 465-486, 2023 | | 2023 |
| Corrupted: A Study of Chronic Dysfunction in South African Universities: by Jonathan D. Jansen, Johannesburg, Wits University Press, 2023, 310 pp., $30.00, ISBN: 978-1-77614 … A Mututa Critical Arts 37 (5), 122-124, 2023 | | 2023 |
| Images of Apartheid: Filmmaking on the Fringe in the Old South Africa, Calum Waddell (dir.) (2018) A Mututa Journal of African Cinemas, 2023 | | 2023 |
| No Simple Way Home, Akuol De Mabior (dir.) (2022) A Mututa Journal of African Cinemas, 2023 | | 2023 |
Keyan TomaselliProfessor, University of KwaZulu-Natal在 ukzn.ac.za 的电子邮件经过验证
Keyan TomaselliProfessor, University of KwaZulu-Natal在 ukzn.ac.za 的电子邮件经过验证