| Pengatar Sejarah Tari IA Trisnawati | 12 | 2018 |
| Strands of Gumi Sasak Pearl: Harmoni-based Tourism Product in Mataram City, West Nusa Tenggara Barat IA Trisnawati Art and Culture 31 (3), 295-307, 2016 | 9 | 2016 |
| Pembinaan Tari Puspa Arum dan Pelatihan Tata Rias Tari Bagi Penari Kolok di Desa Bengkala Kubutambahan Buleleng Bali IA Trisnawati, S Sulistyani, GB Prabhawita GERVASI: Jurnal Pengabdian kepada Masyarakat 6 (1), 133-144, 2022 | 4 | 2022 |
| Sejarah Seni Budaya IA Trisnawati Fakultas Seni Pertunjukan ISI Denpasar. https://books. google. co. id/books, 2021 | 4 | 2021 |
| Bali’s cultural arts and the contest of identity during the tourism era of Bali IGN Seramasara, IA Trisnawati International Journal of Innovation, Creativity and Change 9 (4), 109-120, 2019 | 4 | 2019 |
| Deconstructing The Meaning Of The Representation Of The Sanghyang Gandrung Dance I ayu Trisnawati Lekesan: Interdisciplinary Journal of Asia Pacific Arts 1 (2), 93-99, 2018 | 4 | 2018 |
| Performance model and the problems of packaging balinese dance in the new normal era IA Trisnawati, S Sulistyani Lekesan: Interdisciplinary Journal of Asia Pacific Arts 4 (1), 1-6, 2021 | 3 | 2021 |
| Fakultas Seni Pertunjukan ISI Denpasar IA Trisnawati Sejarah Seni Budaya, 2021 | 3 | 2021 |
| Marginalisasi Seni Pertunjukan Gandrung di Nusa Tenggara Barat IA Trisnawati Disertasi. Denpasar: Program Doktor Pascasarjana UNUD tidak diterbitkan, 2016 | 3 | 2016 |
| Pengkemasan Model Kesenian Tradisional Nusa Tenggara Barat Sebagai Sarana Penunjang Daya Tarik Wisatawan Di Kota Mataram IA Trisnawati Laporan Penelitian (tidak terbit). Denpasar: ISI Denpasar, 2016 | 3 | 2016 |
| Rejang Dewa Di Desa Sidetapa,Banjar,Buleleng,Bali (Keunikan dan Fungsi) IA Trisnawati Kalangwan, 2016 | 3 | 2016 |
| Identifikasi Kesenian Etnis Sasak, Etnis Bali Dan Seni Akulturasi Di Kota Mataram IA Trisnawati, IGLO Ardika, IN Kariasa SEGARA WIDYA 3, 2015 | 3 | 2015 |
| Symbolic Meaning Relationship between the Condong Character and the Putri in the Gambuh Batuan Dance Drama CI Jeno, NM Arshiniwati, IA Trisnawati Mudra Jurnal Seni Budaya 38 (4), 432-442, 2023 | 2 | 2023 |
| Jangkang Baris Dance in Sidatapa Village Study on The Meaning And Potential as Tourist Attraction IA Trisnawati, D Gusman Mudra Jurnal Seni Budaya 38 (3), 234-330, 2023 | 2 | 2023 |
| The potential of Bengkala village as a balinese village consisting of disabled residents in the field of tourism and alternative tourism I Trisnawatia, IW Yasa International Journal of Innovation, Creativity and Change 12 (5), 631-642, 2020 | 2 | 2020 |
| The dance of ‘Baris Bebek Bingar Bengkala’: Art for the disabled IA Trisnawati, IGN Seramasara International Journal of Innovation, Creativity and Change 9 (4), 121-128, 2019 | 2 | 2019 |
| Transformasi Ritual Siat Sampian Dalam Tari Anggruwat Bumi NLPR Franciska, IA Trisnawati, NW Suartini Kalangwan: Jurnal Seni Pertunjukan 4 (1), 2018 | 2 | 2018 |
| CHARACTER EDUCATION OF GANDRUNG DANCE IN THE SPIRIT OF NUSANTARA IA Trisnawati Journal of Southwest Jiaotong University 57 (2), 2022 | 1 | 2022 |
| " Strands of Gumi Sasak Pearls" Harmony-based Tourism Products in Mataram City, West Nusa Tenggara IA Trisnawati, IGLO Ardika, IN Kariasa Mudra Jurnal Seni Budaya 31 (3), 2016 | 1 | 2016 |
| LEGONG DURGA SEBAGAI PENGUAT IDENTITAS TARI ANDIR DI DESA TISTA, KERAMBITAN, TABANAN PFEK Tantra, NM Arshiniwati, IA Trisnawati Pendas: Jurnal Ilmiah Pendidikan Dasar 9 (2), 4048-4062, 2024 | | 2024 |
