| European cinema in motion: Migrant and diasporic film in contemporary Europe D Berghahn, C Sternberg Springer, 2010 | 201 | 2010 |
| Hollywood Behind the Wall: The Cinema of East Germany D Berghahn Manchester University Press, 2005 | 169 | 2005 |
| Far-Flung families in film D Berghahn Edinburgh University Press, 2014 | 115 | 2014 |
| No place like home? Or impossible homecomings in the films of Fatih Akin D Berghahn New Cinemas: Journal of Contemporary Film 4 (3), 141-157, 2007 | 108 | 2007 |
| Locating migrant and diasporic cinema in contemporary Europe D Berghahn, C Sternberg European cinema in motion: Migrant and diasporic film in contemporary Europe …, 2010 | 75 | 2010 |
| Post‐1990 screen memories: How east and west German cinema remembers the Third Reich and the Holocaust D Berghahn German Life and Letters 59 (2), 294-308, 2006 | 35 | 2006 |
| From Turkish greengrocer to drag queen: reassessing patriarchy in recent TurkishGerman coming-of-age films D Berghahn New Cinemas: Journal of Contemporary Film 7 (1), 55-69, 2009 | 34 | 2009 |
| Screening War: Perspectives on German Suffering P Cooke, M Silberman Camden House, 2010 | 30 | 2010 |
| Queering the family of nation: Reassessing fantasies of purity, celebrating hybridity in diasporic cinema D Berghahn Transnational Cinemas 2 (2), 129-146, 2012 | 27 | 2012 |
| East German cinema after unification D Berghahn na, 2006 | 23 | 2006 |
| FICTION INTO FILM AND THE FIDELITY DISCOURSE: A CASE STUDY OF VOLKER SCHLÖNDORFF'S RE‐INTERPRETATION OF HOMO FABER1 D Berghahn German Life and Letters 49 (1), 72-87, 1996 | 21 | 1996 |
| Coming of age in ‘The Hood’: The diasporic youth film and questions of genre D Berghahn European cinema in motion: migrant and diasporic film in contemporary Europe …, 2010 | 20 | 2010 |
| Remembering the Stasi in a Fairy Tale of Redemption: Florian Henckel von Donnersmarck's Das Leben der Anderen D Berghahn Oxford German Studies 38 (3), 321-333, 2009 | 19 | 2009 |
| Encounters with cultural difference: cosmopolitanism and exoticism in Tanna (Martin Butler and Bentley Dean, 2015) and Embrace of the Serpent (Ciro Guerra, 2015) D Berghahn Film and Screen Media, University College Cork, 2017 | 16 | 2017 |
| Introduction: Turkish–German dialogues on screen. D Berghahn New Cinemas: Journal of Contemporary Film 7 (1), 2009 | 15 | 2009 |
| ‘Seeing everything with different eyes’: the diasporic optic of Fatih Akin’s Head-On (2004) D Berghahn New directions in German cinema, 235-252, 2011 | 14 | 2011 |
| Claudia Sternberg, eds. 2010 D Berghahn European Cinema in Motion: Migrant and Diasporic Film in Contemporary Europe, 0 | 14 | |
| My big fat Turkish wedding: from culture clash to romcom D Berghahn Turkish German Cinema in the New Millennium: Sites, Sounds, and Screens, 19-31, 2012 | 12 | 2012 |
| FILM CENSORSHIP IN A" CLEAN STATE": THE CASE OF KLEIN AND KOHLHAASE’S BERLIN UM DIE ECKE D Berghahn Censorship & Cultural Regulation in the Modern Age, 108-136, 2004 | 11 | 2004 |
| Unity and diversity in the New Europe B Axford, D Berghahn P. Lang, 2000 | 11 | 2000 |
