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| ‚Berlinka ‘. Ein besonderer deutsch-polnischer Erinnerungsort J Gortat Convivium. Germanistisches Jahrbuch Polen, 105-128, 2017 | 2 | 2017 |
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| Austrian national identity in the centre-periphery model J Gortat Identities 31 (3), 388-407, 2024 | | 2024 |
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| The Permanent Exhibition in the Documentation Center of Austrian Resistance and Its Role in Austria’s Dealing with the Nazi Past and the Holocaust J Gortat New German Critique 51 (1), 173-205, 2024 | | 2024 |
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| Picturing Austrian Cinema: 99 Films/100 Comments ed. by Katharina Müller and Claus Philipp J Gortat Journal of Austrian Studies 56 (4), 137-140, 2023 | | 2023 |
| Ruth Beckermanns Waldheims Walzer (2018) als didaktisches Experiment. Eine gedächtnismediale Analyse J Gortat Colloquia Germanica 54 (3/4), 555-578, 2022 | | 2022 |
| Excavating the Nazi past in Austrian contemporary film: Murer: Anatomy of a Trial (2018) and The Testament (2017) J Gortat Holocaust Studies 28 (4), 506-529, 2022 | | 2022 |
| WHO DO WE SEE IN THE PROTAGONIST OF THE CAPTAIN (2017)? J Gortat German Life and Letters 75 (4), 598-620, 2022 | | 2022 |
| Revisiting Austria: Tourism, Space, and National Identity, 1945 to the Present J Gortat German History 40 (2), 314-316, 2022 | | 2022 |
| Seeking German‐Polish Reconciliation through the Heritage Genre: Florian Gallenberger's Der Überläufer (2020) J Gortat The German Quarterly 95 (2), 183-199, 2022 | | 2022 |
| Against political compromises–coming to terms with the Austrofascist and National Socialist past in John Olden’s docudrama The Blue Danube (1965) J Gortat Przegląd Zachodni 382 (01), 185-202, 2022 | | 2022 |
| Alpensagas und Modelldörfer. Heimatbesichtigungen in Literatur und Film by Wolfgang Straub J Gortat Journal of Austrian Studies 54 (4), 163-166, 2021 | | 2021 |
