| The Spanish “Lamento”: Discourses of Love, Power, and Gender in the Musical Theatre (1696-1718) MV Acuña University of Toronto (Canada), 2016 | 5 | 2016 |
| Claudio Monteverdi: a research and information guide S Lewis, MV Acuña Routledge, 2018 | 4 | 2018 |
| Sobbing Cupids, Lamenting Lovers, and Weeping Nymphs in the Early Zarzuela: Calderón de la Barca's El laurel de Apolo (1657) and Durón and Navas's Apolo y Dafne (circa 1700) MV Acuña Bulletin of the Comediantes 69 (2), 69-95, 2017 | 3 | 2017 |
| Tonadillas. Volumen 1: Obras del periodo 1768–1778 Jacinto Valledor (1744–1809), ed. Aurèlia Pessarrodona Madrid: Consejo Superior de Investigaciones Científicas, 2019 pp. 412 … MV Acuña Eighteenth-Century Music 20 (1), 97-98, 2023 | | 2023 |
| Enamorados ridículos: acerca del humor y la parodia en Acis y Galatea (1708) MV Acuña Cuadernos de música iberoamericana 35, 171-191, 2022 | | 2022 |
| ‘May she who was once beautiful be transformed into a monster’: magic and witchcraft in Veneno es de amor la envidia (Madrid, 1711) MV Acuña Early Music 48 (3), 377-390, 2020 | | 2020 |
| love conquers all: cupid, philip v and the allegorical zarzuela during the war of the spanish succession (1701–1714) MV Acuna Eighteenth-Century Music 15 (1), 29-45, 2018 | | 2018 |
| Claudio Monteverdi: a research and information guide S Lewis Hammond, MV Acuña (No Title), 2018 | | 2018 |
| BETWEEN TRADITION AND MODERNITY: THE MUSICAL ITALIANISM IN VALENCIA (1685-1738) MV Acuna EIGHTEENTH-CENTURY MUSIC 11 (2), 291-294, 2014 | | 2014 |
| Andrea Bombi ENTRE TRADICIÓN Y MODERNIDAD: EL ITALIANISMO MUSICAL EN VALENCIA (1685–1738) Valencia: Institut Valencià de la Música, 2011 pp. 654, isbn978 84 482 5753 8 MV ACUÑA Eighteenth-Century Music 11 (2), 291-294, 2014 | | 2014 |
