| Writing and producing television drama in Denmark: From the kingdom to the killing EN Redvall Springer, 2013 | 320 | 2013 |
| Transnational European television drama: Production, genres and audiences I Bondebjerg, EN Redvall, R Helles, SS Lai, H Søndergaard, ... Springer, 2017 | 136* | 2017 |
| A small region in a global world: patterns in Scandinavian film and tv culture I Bondebjerg, EN Redvall Centre for Modern European Studies-CEMES, University of Copenhagen, 2011 | 89* | 2011 |
| Breaking borders: The international success of Danish television drama I Bondebjerg, EN Redvall European cinema and television: Cultural policy and everyday life, 214-238, 2015 | 66 | 2015 |
| European cinema and television: Cultural policy and everyday life I Bondebjerg, EN Redvall, A Higson Springer, 2016 | 56 | 2016 |
| The Danish Directors 2: Dialogues on the New Danish Fiction Cinema M Hjort, E Jørholt, EN Redvall Intellect Books, 2010 | 50 | 2010 |
| European Film and Television Co-production: Policy and Practice J Hammett-Jamart, P Mitric, EN Redvall Springer, 2019 | 45* | 2019 |
| Scriptwriting as a creative, collaborative learning process of problem finding and problem solving EN Redvall MedieKultur: Journal of media and communication research 25 (46), 22 p.-22 p., 2009 | 39 | 2009 |
| Reaching Young Audiences Through Research: Using the NABC Method to Create the Norwegian Web Teenage Drama SKAM/Shame EN Redvall True event adaptation: Scripting real lives, 143-161, 2018 | 35 | 2018 |
| Film and media production as a screen idea system EN Redvall The creative system in action: Understanding cultural production and …, 2016 | 33 | 2016 |
| A European take on the showrunner? Danish television drama production EN Redvall Behind the screen: Inside European production cultures, 153-169, 2013 | 25 | 2013 |
| Danish Television Drama: Global lessons from a small nation AM Waade, EN Redvall, PM Jensen Springer Nature, 2020 | 24 | 2020 |
| A systems view of film-making as a creative practice EN Redvall Northern Lights: Film & Media Studies Yearbook 10 (1), 57-73, 2012 | 24 | 2012 |
| Teaching screenwriting in a time of storytelling blindness: The meeting of the auteur and the screenwriting tradition in Danish film-making EN Redvall Journal of Screenwriting 1 (1), 59-81, 2010 | 24 | 2010 |
| Introduction: Mediated cultural encounters in Europe I Bondebjerg, EN Redvall European cinema and television: Cultural policy and everyday life, 1-22, 2015 | 23 | 2015 |
| ‘Dogmas’ for television drama: The ideas of ‘one vision’,‘double storytelling’,‘crossover’and ‘producer’s choice’in drama series from the Danish public service broadcaster DR EN Redvall Journal of Popular Television 1 (2), 227-234, 2013 | 23 | 2013 |
| Dogmer for TV-drama. Om brugen af one vision, den dobbelte historie og cross over i DR’s søndagsdramatik EN Redvall Kosmorama 248, 180-198, 2011 | 21 | 2011 |
| Hard facts, soft measures: Gender, quality and inequality debates in Danish film and television in the 2010s EN Redvall, IE Sørensen Journal of Scandinavian Cinema 8 (3), 233-249, 2018 | 20 | 2018 |
| Craft, creativity, collaboration, and connections: Educating talent for Danish television drama series EN Redvall Production Studies, The Sequel!, 75-88, 2015 | 16 | 2015 |
| Co-creating content with children to avoid ‘Uncle Swag’: Strategies for producing public service television drama for tweens and teens at the Danish children’s channel DR Ultra EN Redvall, KB Christensen Critical Studies in Television 16 (2), 163-180, 2021 | 14 | 2021 |
Ib BondebjergProfessor, Film and Media Studies, Unversity of Copenhagen在 hum.ku.dk 的电子邮件经过验证
