| Iron horses: Leland Stanford, Eadweard Muybridge, and the industrialised eye J Ott Oxford Art Journal 28 (3), 407-428, 2005 | 34 | 2005 |
| How New York stole the luxury art market: blockbuster auctions and bourgeois identity in Gilded Age America J Ott Winterthur Portfolio 42 (2/3), 133-158, 2008 | 33 | 2008 |
| Labored Stereotypes: Palmer Hayden's The Janitor Who Paints J Ott American Art 22 (1), 102-115, 2008 | 26 | 2008 |
| Manufacturing the Modern Patron in Victorian California: Cultural Philanthropy, Industrial Capital, and Social Authority J Ott Ashgate Publishing, Ltd., 2014 | 22 | 2014 |
| Reform in Redface: The Taos Society of Artists Plays Indian J Ott American Art 23 (2), 80-107, 2009 | 11 | 2009 |
| Battle Station MoMA: Jacob Lawrence and the Desegregation of the Armed Forces and the Art World J Ott American Art 29 (3), 58-89, 2015 | 9 | 2015 |
| Hale Woodruff’s Antiprimitivist History of Abstract Art J Ott The Art Bulletin 100 (1), 124-145, 2018 | 8 | 2018 |
| Muybridge and Mobility T Cresswell, J Ott Univ of California Press, 2022 | 6 | 2022 |
| Patrons, Collectors, and Markets J Ott A Companion to American Art, 525-543, 2015 | 5 | 2015 |
| The Manufactured Patron: Staging Bourgeois Identity through Art Consumption in Postbellum America S Beckert, JB Rosenbaum, J Ott The American Bourgeoisie: Distinction and Identity in the Nineteenth Century …, 2010 | 5 | 2010 |
| The gilded rush: Art patronage, industrial capital, and social authority in Victorian California JW Ott University of California, Los Angeles, 2002 | 4 | 2002 |
| Metropolitan, Inc.: Public Subsidy and Private Gain at the Genesis of the American Art Museum J Ott New York: Art and Cultural Capital of the Gilded Age, 122-138, 2018 | 3 | 2018 |
| Graphic Consciousness: The Visual Cultures of Integrated Industrial Unions at Midcentury J Ott American Quarterly 66 (4), 883-917, 2014 | 2 | 2014 |
| In Conversation: Archives and the Pandemic T Sheehan, S Burns, S Hudson, BW Greer, J Ott, JD Katz, E Doss, L Uddin, ... Archives of American Art Journal 60 (1), 80-89, 2021 | 1 | 2021 |
| Art and Economics: An Introduction J Ott American Art 33 (3), 3-4, 2019 | 1 | 2019 |
| Local color: the Taos Society of Artists and the marketing of ethnicity JW Ott University of California, Los Angeles, 1996 | 1 | 1996 |
| Color in the Classroom: Histories and Practices of Twentieth Century African American Artist-Educators RK VanDiver, JW Ott CAA 2021 ANNUAL CONFERENCE, 2021 | | 2021 |
| Make Cotton Great Again: The Racial Fabric of New Deal Art in the Southern US JW Ott CAA 2020 ANNUAL CONFERENCE, 2020 | | 2020 |
| African American Art Beyond the Harlem Renaissance J Ott The Routledge Companion to African American Art History, 41-49, 2019 | | 2019 |
| Black Apollos: African American Athletes in Eadweard Muybridge’s Photographs and Gilded Age America JW Ott CAA 2019 ANNUAL CONFERENCE, 2019 | | 2019 |
