Synchronization of timing and motion among performing musicians W Goebl, C Palmer Music Perception 26 (5), 427-438, 2009 | 402 | 2009 |
Computational models of expressive music performance: The state of the art G Widmer, W Goebl Journal of new music research 33 (3), 203-216, 2004 | 318 | 2004 |
Tactile feedback and timing accuracy in piano performance W Goebl, C Palmer Experimental Brain Research 186, 471-479, 2008 | 186 | 2008 |
In search of the Horowitz factor G Widmer, S Dixon, W Goebl, E Pampalk, A Tobudic AI Magazine 24 (3), 111-111, 2003 | 164 | 2003 |
Melody lead in piano performance: Expressive device or artifact? W Goebl The Journal of the Acoustical Society of America 110 (1), 563-572, 2001 | 161 | 2001 |
Visualizing expressive performance in tempo-loudness space J Langner, W Goebl Computer Music Journal 27 (4), 69-83, 2003 | 129 | 2003 |
Temporal Control and Hand Movement Efficiency in Skilled Music Performance W Goebl, C Palmer PLOS ONE 8 (1), e50901, 2013 | 107 | 2013 |
The performance worm: Real time visualisation of expression based on Langner’s tempo-loudness animation S Dixon, W Goebl, G Widmer Proceedings of the International Computer Music Conference (ICMC 2002), 361–364, 2002 | 95 | 2002 |
Sense in expressive music performance: Data acquisition, computational studies, and models W Goebl, S Dixon, G De Poli, A Friberg, R Bresin, G Widmer Sound to sense-sense to sound: A state of the art in sound and music …, 2008 | 84 | 2008 |
When they listen and when they watch: Pianists’ use of nonverbal audio and visual cues during duet performance L Bishop, W Goebl Musicae Scientiae, 2015 | 80 | 2015 |
Touch and temporal behavior of grand piano actions W Goebl, R Bresin, A Galembo The Journal of the Acoustical Society of America 118 (2), 1154-1165, 2005 | 77 | 2005 |
Perceptual smoothness of tempo in expressively performed music S Dixon, W Goebl, E Cambouropoulos Music Perception 23 (3), 195-214, 2006 | 71 | 2006 |
Measurement and reproduction accuracy of computer-controlled grand pianos W Goebl, R Bresin The Journal of the Acoustical Society of America 114 (4), 2273-2283, 2003 | 70 | 2003 |
Computational models of expressive music performance: A comprehensive and critical review CE Cancino-Chacón, M Grachten, W Goebl, G Widmer Frontiers in Digital Humanities 5, 25, 2018 | 65 | 2018 |
Piano R Parncutt, W Goebl | 61 | 2022 |
Beating Time: How ensemble musicians’ cueing gestures communicate beat position and tempo L Bishop, W Goebl Psychology of Music 46 (1), 84–106, 2017 | 59 | 2017 |
Perception of touch quality in piano tones W Goebl, R Bresin, I Fujinaga Journal of the Acoustical Society of America 136 (5), 2839-2850, 2014 | 56 | 2014 |
The Magaloff project: An interim report S Flossmann, W Goebl, M Grachten, B Niedermayer, G Widmer Journal of New Music Research 39 (4), 363-377, 2010 | 53 | 2010 |
Once again: The perception of piano touch and tone. Can touch audibly change piano sound independently of intensity W Goebl, R Bresin, A Galembo Proceedings of the International Symposium on Musical Acoustics, 332-335, 2004 | 53 | 2004 |
Moving to communicate, moving to interact: Patterns of body motion in musical duo performance L Bishop, C Cancino-Chacón, W Goebl Music Perception: An Interdisciplinary Journal 37 (1), 1-25, 2019 | 50 | 2019 |