| Theatre of good intentions: Challenges and hopes for theatre and social change D Snyder-Young Springer, 2013 | 179 | 2013 |
| Beyond “an aesthetic of objectivity”: Performance ethnography, performance texts, and theatricality D Snyder-Young Qualitative Inquiry 16 (10), 883-893, 2010 | 89 | 2010 |
| Rehearsals for revolution? Theatre of the Oppressed, dominant discourses, and democratic tensions D Snyder-Young Research in Drama Education: The Journal of Applied Theatre and Performance …, 2011 | 80 | 2011 |
| Gaps, silences and comfort zones: Dominant paradigms in educational drama and applied theatre discourse M Omasta, D Snyder-Young Research in Drama Education: The Journal of Applied Theatre and Performance …, 2014 | 52 | 2014 |
| “Here to Tell Her Story” Analyzing the Autoethnographic Performances of Others D Snyder-Young Qualitative Inquiry 17 (10), 943-951, 2011 | 42 | 2011 |
| Privileged spectatorship: Theatrical interventions in white supremacy D Snyder-Young Northwestern University Press, 2020 | 22 | 2020 |
| Theatre of good intentions D Snyder-Young Theatre of Good Intentions: Challenges and Hopes for Theatre and Social …, 2013 | 22 | 2013 |
| Impacting Theatre Audiences D Snyder-Young, M Omasta Routledge, 2022 | 10 | 2022 |
| Youth theatre as cultural artifact: Social antagonism in urban high school environments D Snyder-Young Youth Theatre Journal 26 (2), 173-183, 2012 | 9 | 2012 |
| Despite artists’ intentions, emancipated spectatorship reinforces audience members’ existing attitudes and beliefs D Snyder-Young Theatre, performance and change, 295-301, 2018 | 8 | 2018 |
| Studying the relationship between artistic intent and observable impact D Snyder-Young Performance Matters 5 (2), 150-155, 2019 | 6 | 2019 |
| No “bullshit”: Rigor and evaluation of applied theatre projects D Snyder-Young Applied Theatre: Understanding Change, 81-94, 2018 | 5 | 2018 |
| Recovery capital and collaborative theatre making: how actors in recovery from substance addiction value their participation in addiction prevention plays D Snyder-Young, A Houston, ABM Bell, A Short, A Lincoln Research in Drama Education: The Journal of Applied Theatre and Performance …, 2022 | 4 | 2022 |
| We're All in This Together: Digital Performances and Socially Distanced Spectatorship D Snyder-Young Theatre Journal 74 (1), 1-15, 2022 | 4 | 2022 |
| Ownership, Expertise, and Audience Research: Developing Collaborative, Artist-Centric Methods for Studying Reception D Snyder-Young Theatre Topics 30 (1), 31-40, 2020 | 4 | 2020 |
| Contemporary spectatorship research D Snyder-Young, M Omasta Impacting Theatre Audiences, 1-15, 2022 | 3 | 2022 |
| Community-based performances of harmonious diversity: Happy talk and utopian performativity in Playback Theatre D Snyder-Young, M Flassen Applied Theatre Research 9 (1), 39-53, 2021 | 3 | 2021 |
| Stop staring, start seeing: Housed spectatorship of homeless performers D Snyder-Young Theatre Research International 36 (2), 163-173, 2011 | 3 | 2011 |
| Procedurally Authored Performances of Mindful Practice: Theatre-for-One, Audience Labor, and Self-Optimization D Snyder-Young TDR 66 (2), 147-157, 2022 | 2 | 2022 |
| For an Ethic of Critical Generosity: Facilitating Productive Discomfort in Applied Theatre Praxis D Snyder-Young Applied Theatre: Ethics, 115-130, 2022 | 2 | 2022 |
Matt OmastaMiami University of Ohio在 miamioh.edu 的电子邮件经过验证
Matt OmastaMiami University of Ohio在 miamioh.edu 的电子邮件经过验证
Ashley HoustonResearcher