| What a body can do B Spatz Routledge, 2015 | 455 | 2015 |
| Embodied research: A methodology B Spatz Liminalities 13 (2), 2017 | 83 | 2017 |
| Performance as research A Arlander, B Barton, M Dreyer-Lude, B Spatz Taylor & Francis, 2017 | 74 | 2017 |
| Blue sky body: thresholds for embodied research B Spatz Routledge, 2019 | 37 | 2019 |
| Embodiment as first affordance: Tinkering, tuning, tracking B Spatz Performance Philosophy 2 (2), 257-271, 2016 | 34 | 2016 |
| Making a laboratory: Dynamic configurations with transversal video B Spatz punctum books, 2020 | 23 | 2020 |
| Notes for decolonizing embodiment B Spatz Journal of Dramatic Theory and Criticism 33 (2), 9-22, 2019 | 22 | 2019 |
| To open a person: Song and encounter at Gardzienice and the Workcenter B Spatz Theatre Topics 18 (2), 205-222, 2008 | 15 | 2008 |
| Practice as research: Foundations for a community of knowledge B Spatz Congress on Research in Dance Conference Proceedings 2011, 48-57, 2011 | 12 | 2011 |
| Molecular identities: digital archives and decolonial Judaism in a laboratory of song B Spatz Performance Research 24 (1), 66-79, 2019 | 11 | 2019 |
| Introduction III: Mad Lab–or why we can’t do practice as research B Spatz Performance as Research, 209-223, 2017 | 10 | 2017 |
| Colors Like Knives: Embodied Research and Phenomenotechnique in Rite of the Butcher B Spatz Contemporary theatre review 27 (2), 195-215, 2017 | 9 | 2017 |
| What do we document? Dense video and the epistemology of practice. B Spatz Bloomsbury Methuen Drama, 2017 | 8 | 2017 |
| Massimiliano Balduzzi: Research in physical training for performers B Spatz Theatre, Dance and Performance Training 5 (3), 270-290, 2014 | 8 | 2014 |
| The video way of thinking B Spatz SATJ: South African Theatre Journal 31 (1), 146-154, 2018 | 7 | 2018 |
| A somatics toolkit for ethnographers E Kieft, B Spatz, D Weig | 6 | 2019 |
| Choreography as research: Iteration, object, context B Spatz Contemporary Choreography, 68-83, 2017 | 5 | 2017 |
| Citing musicality: Performance knowledge in the Gardzienice archive B Spatz Studies in Musical Theatre 7 (2), 221-235, 2013 | 5 | 2013 |
| This Extraordinary Power: Authority, Submission, and Freedom in the Actor-Director Relationship B Spatz Ecumenica 3 (2), 43-61, 2010 | 5 | 2010 |
| The Electronic Heart B Spatz Middletown: Wesleyan University, 2001 | 5 | 2001 |
Bruce BartonUniversity of Calgary在 ucalgary.ca 的电子邮件经过验证
