| Sharing Music: Social and Communal Aspects of Concert-Going LK Dearn, SM Price Networking Knowledge 9 (2), 2016 | 29 | 2016 |
| Risk and Reward in Classical Music Concert Attendance: Investigating the Engagement of ‘Art’ and ‘Entertainment’ Audiences with a Regional Symphony Orchestra in the UK SM Price University of Sheffield, 2017 | 26 | 2017 |
| Understanding Audience Engagement in the Contemporary Arts SE Pitts, SM Price Routledge, 2020 | 22 | 2020 |
| Academic and commercial research: Bridging the gap SM Price Participations: Journal of Audience and Reception Studies 12 (2), 168-173, 2015 | 20 | 2015 |
| Spontaneity and planning in arts attendance: insights from qualitative interviews and the Audience Finder database S Price, R Perry, O Mantell, J Trinder, S Pitts Cultural Trends 28 (2-3), 220-238, 2019 | 10* | 2019 |
| In Defence of the Familiar: Understanding Conservatism in Concert Selection Amongst Classical Music Audiences SM Price Musicae Scientiae 26 (2), 243-258, 2022 | 8 | 2022 |
| Understanding the liminality of individual giving to the arts SE Pitts, M Herrero, SM Price Arts and the Market 10 (1), 18-33, 2020 | 8 | 2020 |
| ‘I realised it was the same song’: Familiarisation, assimilation and making meaning with new folk music F Hield, S Price The International Journal of Traditional Arts 2, 2018 | 7 | 2018 |
| Understanding Audiences for the Contemporary Arts SE Pitts, SM Price http://www.sparc.dept.shef.ac.uk/uaca/handbook/, 2019 | 5 | 2019 |
| ‘Old Adam was the first man formed’: (In)forming and investigating listeners’ experiences of new music as audience enrichment, public engagement and research FE Hield, SM Price Participations 14 (1), 285-312, 2017 | 4 | 2017 |
| The listening experience of the classical concert hall: the value of qualitative research with current audiences L Dearn, J Gross, S Price, S Pitts Listening to music: people, practices and experiences, eds Helen Barlow and …, 2017 | 3* | 2017 |
| The benefits and challenges of large-scale qualitative research SE Pitts, SM Price Routledge Companion to Audiences and the Performing Arts, 343-354, 2022 | 1 | 2022 |
| 'It’s okay not to like it' S Pitts, SM Price Taylor & Francis, 2021 | 1* | 2021 |
| The Obscure Becomes Vivid: perspectives on the (re) mediation of fairy lore by folklorists, performers and audiences F Hield, C Larrington, S Hadley, S Price Revenant 6, 11-30, 2021 | 1 | 2021 |
| Are you being engaged? Exploring the limits of audience capacity for engagement SE Pitts, SM Price Participations: Journal of Audience and Reception Studies, 2021 | | 2021 |
| Art forms, venues and audience decision-making: Navigating the cultural ecology SM Price Understanding Audience Engagement in the Contemporary Arts, 79-102, 2020 | | 2020 |
| Introduction: Who goes to the contemporary arts? SM Price Understanding Audience Engagement in the Contemporary Arts, 1-12, 2020 | | 2020 |
| Routes to engagement in the contemporary arts SM Price Understanding Audience Engagement in the Contemporary Arts, 103-130, 2020 | | 2020 |
| Uncomfortable questions in contemporary arts practice and research: The formaldehyde shark in the room SM Price Understanding Audience Engagement in the Contemporary Arts, 179-198, 2020 | | 2020 |
| ‘But is it art?’: Defining the contemporary arts SM Price Understanding Audience Engagement in the Contemporary Arts, 35-52, 2020 | | 2020 |
Stephanie E PittsProfessor of Music Education, University of Sheffield在 sheffield.ac.uk 的电子邮件经过验证
