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Nikki Moran
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引用次数
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Music, bodies and relationships: An ethnographic contribution to embodied cognition studies
N Moran
Psychology of music 41 (1), 5-17, 2013
912013
Social implications arise in embodied music cognition research which can counter musicological “individualism”
N Moran
Frontiers in psychology 5, 676, 2014
642014
Knowledge exchange with Sistema Scotland
J Allan, N Moran, C Duffy, G Loening
Journal of Education policy 25 (3), 335-347, 2010
502010
Shared periodic performer movements coordinate interactions in duo improvisations
T Eerola, K Jakubowski, N Moran, PE Keller, M Clayton
Royal Society Open Science 5 (2), 171520, 2018
482018
Processes and experiences of creative cognition in seven Western classical composers
A Schiavio, N Moran, D van der Schyff, M Biasutti, R Parncutt
Musicae Scientiae 26 (2), 303-325, 2022
452022
Perception of ‘back-channeling’nonverbal feedback in musical duo improvisation
N Moran, LV Hadley, M Bader, PE Keller
PLoS One 10 (6), e0130070, 2015
432015
Social co-regulation and communication in North Indian duo performances
N Moran
Experience and meaning in music performance, 64-94, 2013
412013
Instrumental technique, expressivity, and communication. A qualitative study on learning music in individual and collective settings
A Schiavio, D Van der Schyff, M Biasutti, N Moran, R Parncutt
Frontiers in psychology 10, 737, 2019
362019
Cross-cultural representations of musical shape
G Athanasopoulos, N Moran
Empirical Musicology Review, 185-199, 2013
342013
Measuring musical interaction: Analysing communication in embodied musical behaviour
N Moran
Open University, 2007
282007
“Total inner memory”: Deliberate uses of multimodal musical imagery during performance preparation.
K Davidson-Kelly, RS Schaefer, N Moran, K Overy
Psychomusicology: Music, mind, and brain 25 (1), 83, 2015
262015
Improvising musicians' looking behaviours: duration constants in the attention patterns of duo performers
N Moran
Proceedings of the 11th international conference on Music Perception and …, 2010
232010
By Myself but Not Alone. Agency, Creativity and Extended Musical Historicity
A Schiavio, K Ryan, N Moran, D Van Der Schyff, S Gallagher
Journal of the Royal Musical Association 147 (2), 533-556, 2022
142022
Fundamentals of Music Theory
N Moran, M Edwards, J Kitchen, Z Moir, R Worth
The University of Edinburgh, 2021
82021
Influence of literacy on representation of time in musical stimuli: An exploratory cross-cultural study in the UK, Japan, and Papua New Guinea
G Athanasopoulos, SL Tan, N Moran
Psychology of Music 44 (5), 1126-1144, 2016
82016
Literacy makes a difference: A cross-cultural study on the graphic representation of music by communities in the United Kingdom, Japan and Papua New Guinea
G Athanasopoulos, N Moran, S Frith
Biennial Meeting of the Society for Music Perception and Cognition (SMPC …, 2011
82011
Agency in embodied music interaction
N Moran
The Routledge companion to embodied music interaction, 105-112, 2017
72017
Identifying Expressive Semantics in Orchestral Conducting Kinematics.
YF Huang, TP Chen, N Moran, S Coleman, L Su
ISMIR, 115-122, 2019
62019
Determining the end of a musical turn: Effects of tonal cues
LV Hadley, P Sturt, N Moran, MJ Pickering
Acta Psychologica 182, 189-193, 2018
62018
How do conductors’ movements communicate compositional features and interpretational intentions?
YF Huang, S Coleman, E Barnhill, R MacDonald, N Moran
Psychomusicology: Music, Mind, and Brain 27 (3), 148, 2017
62017
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