Music, bodies and relationships: An ethnographic contribution to embodied cognition studies N Moran Psychology of music 41 (1), 5-17, 2013 | 91 | 2013 |
Social implications arise in embodied music cognition research which can counter musicological “individualism” N Moran Frontiers in psychology 5, 676, 2014 | 64 | 2014 |
Knowledge exchange with Sistema Scotland J Allan, N Moran, C Duffy, G Loening Journal of Education policy 25 (3), 335-347, 2010 | 50 | 2010 |
Shared periodic performer movements coordinate interactions in duo improvisations T Eerola, K Jakubowski, N Moran, PE Keller, M Clayton Royal Society Open Science 5 (2), 171520, 2018 | 48 | 2018 |
Processes and experiences of creative cognition in seven Western classical composers A Schiavio, N Moran, D van der Schyff, M Biasutti, R Parncutt Musicae Scientiae 26 (2), 303-325, 2022 | 45 | 2022 |
Perception of ‘back-channeling’nonverbal feedback in musical duo improvisation N Moran, LV Hadley, M Bader, PE Keller PLoS One 10 (6), e0130070, 2015 | 43 | 2015 |
Social co-regulation and communication in North Indian duo performances N Moran Experience and meaning in music performance, 64-94, 2013 | 41 | 2013 |
Instrumental technique, expressivity, and communication. A qualitative study on learning music in individual and collective settings A Schiavio, D Van der Schyff, M Biasutti, N Moran, R Parncutt Frontiers in psychology 10, 737, 2019 | 36 | 2019 |
Cross-cultural representations of musical shape G Athanasopoulos, N Moran Empirical Musicology Review, 185-199, 2013 | 34 | 2013 |
Measuring musical interaction: Analysing communication in embodied musical behaviour N Moran Open University, 2007 | 28 | 2007 |
“Total inner memory”: Deliberate uses of multimodal musical imagery during performance preparation. K Davidson-Kelly, RS Schaefer, N Moran, K Overy Psychomusicology: Music, mind, and brain 25 (1), 83, 2015 | 26 | 2015 |
Improvising musicians' looking behaviours: duration constants in the attention patterns of duo performers N Moran Proceedings of the 11th international conference on Music Perception and …, 2010 | 23 | 2010 |
By Myself but Not Alone. Agency, Creativity and Extended Musical Historicity A Schiavio, K Ryan, N Moran, D Van Der Schyff, S Gallagher Journal of the Royal Musical Association 147 (2), 533-556, 2022 | 14 | 2022 |
Fundamentals of Music Theory N Moran, M Edwards, J Kitchen, Z Moir, R Worth The University of Edinburgh, 2021 | 8 | 2021 |
Influence of literacy on representation of time in musical stimuli: An exploratory cross-cultural study in the UK, Japan, and Papua New Guinea G Athanasopoulos, SL Tan, N Moran Psychology of Music 44 (5), 1126-1144, 2016 | 8 | 2016 |
Literacy makes a difference: A cross-cultural study on the graphic representation of music by communities in the United Kingdom, Japan and Papua New Guinea G Athanasopoulos, N Moran, S Frith Biennial Meeting of the Society for Music Perception and Cognition (SMPC …, 2011 | 8 | 2011 |
Agency in embodied music interaction N Moran The Routledge companion to embodied music interaction, 105-112, 2017 | 7 | 2017 |
Identifying Expressive Semantics in Orchestral Conducting Kinematics. YF Huang, TP Chen, N Moran, S Coleman, L Su ISMIR, 115-122, 2019 | 6 | 2019 |
Determining the end of a musical turn: Effects of tonal cues LV Hadley, P Sturt, N Moran, MJ Pickering Acta Psychologica 182, 189-193, 2018 | 6 | 2018 |
How do conductors’ movements communicate compositional features and interpretational intentions? YF Huang, S Coleman, E Barnhill, R MacDonald, N Moran Psychomusicology: Music, Mind, and Brain 27 (3), 148, 2017 | 6 | 2017 |