| Radical Poetry: Aesthetics, Politics, Technology, and the Ibero-American Avant-Gardes, 1900-2015 E Ledesma State University of New York Press, 2016 | 28 | 2016 |
| The Poetics and Politics of Computer Code in Latin America: Codework, Code Art, and Live Coding E Ledesma Revista de Estudios Hispanicos 49 (1), 91-120, 2015 | 15 | 2015 |
| Ad Astra per Aspera: An Interview with Patricio Guzmán H Guest, E Ledesma | 14 | 2011 |
| Through “Their” Eyes: Internal and External Focalizing Agents in the Representation of Children and Violence in Iberian and Latin American Film. E Ledesma Representing History, Class, and Gender in Spain and Latin America: Children …, 2012 | 10 | 2012 |
| Ciencia-ficción digital iberoamericana (mutantes, ciborgs y entes virtuales): La Red y la literatura electrónica del siglo XXI E Ledesma Revista Iberoamericana 83 (259-260), 305-326, 2017 | 6 | 2017 |
| Cell phone cinema: Latin American horror flicks in the post-digital age E Ledesma Revista de estudios hispánicos 53 (3), 821-854, 2019 | 4 | 2019 |
| Helena Lumbreras’ Field for Men (1973): Midway between Latin American Third Cinema and the Barcelona School E Ledesma Studies in Spanish & Latin American Cinemas 11 (3), 271-288, 2014 | 3 | 2014 |
| Intermediality and Spanish experimental cinema: text and image interactions in the lyrical films of the Barcelona School E Ledesma Journal of Spanish Cultural Studies 14 (3), 254-274, 2013 | 3 | 2013 |
| “Lembras-te de quando era tudo diferente?”: Concrete Poetry and Revolution in Portugal in the 1960s and’70s E Ledesma Luso-Brazilian Review 55 (1), 51-84, 2018 | 2 | 2018 |
| The blind gaze: Visual impairment and haptic filmmaking in João Júlio Antunes’ O jogo/The Game (2010) E Ledesma Studies in Spanish & Latin American Cinemas 14 (1), 23-39, 2017 | 2 | 2017 |
| The Historic Avant-Garde, the Neo-Avant-Garde and the Digital Age: Experimental Visual-Textual Forms in the Luso-Hispanic World E Ledesma | 2 | 2012 |
| Literatura digital, concretismo y vanguardia histórica en Brasil:¿ qué tiene de viejo lo nuevo? E Ledesma Arizona Journal of Hispanic Cultural Studies, 261-280, 2010 | 2 | 2010 |
| Do Androids Dream of Electric Llamas? AI-Generated Cinema in Latin America E Ledesma FORMA: A Journal of Latin American Criticism and Theory 3 (1), 77-105, 2023 | 1 | 2023 |
| “Online Activist Eco-Poetry”: Techno-Cannibalism, Digital Indigeneity, and Ecological Resistance in Brazil E Ledesma Online Activism in Latin America, 234-251, 2018 | 1 | 2018 |
| Catalan Futurism(s) and Technology: Poetry, Painting, Architecture and Film. E Ledesma International Yearbook of Futurism Studies 3 (1), 248-280, 2013 | 1 | 2013 |
| Expanding Cinemas: Experimental Filmmaking across the Luso-Hispanic Atlantic since 1960 E Ledesma State University of New York Press, 2024 | | 2024 |
| An epilogue for a leading light: the privilege of co-editing with Elena Delgado E Ledesma Journal of Spanish Cultural Studies 25 (3), 377-381, 2024 | | 2024 |
| Critical AI Studies and the Foreign Language Disciplines: What Is to Be Done? E Ledesma PMLA 139 (3), 533-540, 2024 | | 2024 |
| Reading Generative AI: Theory, Data, Critique M Kirschenbaum, R Raley, HE Dugan, K Elkins, A Ferguson, J Huang, ... 2024 MLA Annual Convention, 2024 | | 2024 |
| Critical Snapshots E Ledesma, L Correa-Díaz, MR Olivera-Williams, KA Bundy, F Cussen, ... Latin American Digital Poetics, 13-86, 2023 | | 2023 |
