| Hollywood meme: transnational adaptations in world cinema IR Smith Edinburgh University Press, 2016 | 77 | 2016 |
| Media across borders A Esser, MA Bernal-Merino, IR Smith Taylor & Francis, 2016 | 73 | 2016 |
| Transnational film remakes IR Smith Edinburgh University Press, 2017 | 42 | 2017 |
| " Beam Me up, Ömer": Transnational Media Flow and the Cultural Politics of the Turkish Star Trek Remake IR Smith The Velvet Light Trap 61 (1), 3-13, 2008 | 34 | 2008 |
| Cultural Borrowings:: Appropriation, Reworking, Transformation I Smith Scope, 2009 | 17 | 2009 |
| Spaghetti Westerns at the Crossroads: Studies in Relocation, Transition and Appropriation A Fisher Edinburgh University Press, 2017 | 15 | 2017 |
| Introduction: Transnational film remakes IR Smith, C Verevis Transnational film remakes, 1-18, 2017 | 14 | 2017 |
| The Exorcist in Istanbul: Processes of Transcultural Appropriation within Turkish Popular Cinema IR Smith Portal Journal of Multidisciplinary International Studies 5, 1, 2008 | 14* | 2008 |
| Oldboy goes to Bollywood: Zinda and the Transnational Appropriation of South Korean Extreme Cinema IR Smith Korean Horror Cinema, 187-98, 2013 | 13 | 2013 |
| Second phase transnationalism: reflections on launching the SCMS transnational cinemas scholarly interest group A Fisher, IR Smith Transnational Screens 10 (2), 114-125, 2019 | 9 | 2019 |
| For the dead travel fast’: The transnational afterlives of Dracula IR Smith Transnational film remakes, 66-84, 2017 | 9 | 2017 |
| Hollywood Meme: Transnational Adaptations of American Film and Television IR Smith Edinburgh: Edinburgh University Press, 2015 | 9 | 2015 |
| Bootleg Archives:: Notes on BitTorrent Communities and Issues of Access I Smith | 7 | 2011 |
| Cowboys and Indians: Transnational Borrowings in the Indian Masala Western IR Smith Spaghetti Westerns at the Crossroads: Studies in Relocation, Transition and …, 2016 | 6 | 2016 |
| When Spiderman Became Spiderbabe:: Pornographic Appropriation and the Political Economy of the'Soft-Core Spoof'Genre I Smith Peep Shows: Cult Film and the Cine-Erotic, 2012 | 6 | 2012 |
| Cultural Borrowings: Appropriation, Reworking, Transformation' E Horwatt, IR Smith Cultural Borrowings: Appropriation, Reworking, Transformation, SCOPE: An …, 2009 | 6 | 2009 |
| Theorising cult cosmopolitanism: the transnational reception of Bollywood as cult cinema IR Smith Transnational Cinemas 8 (1), 20-34, 2017 | 5 | 2017 |
| Transnational Cinemas: A Critical Roundtable IR Smith Frames Cinema Journal, 2016 | 5 | 2016 |
| What Is Cult When It’s At Home?: Reframing Cult Cinema in Relation to Domestic Space’ IR Smith Film and Domestic Space, 2019 | 4 | 2019 |
| Trading places: Das doppelte Lottchen and The parent trap C Verevis Transnational film remakes, 130-144, 2017 | 4 | 2017 |
