Investigating tangential access for location-based digital cultural heritage applications D McGookin, K Tahiroğlu, T Vaittinen, M Kytö, B Monastero, JC Vasquez International Journal of Human-Computer Studies 122, 196-210, 2019 | 46 | 2019 |
Exploring seasonality in mobile cultural heritage D McGookin, K Tahiroălu, T Vaittinen, M Kytö, B Monastero, JC Vasquez Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems …, 2017 | 24 | 2017 |
Idiomatic composition practices for new musical instruments: Context, background and current applications JV Gomez, K Tahiroglu, J Kildal International Conference on New Interfaces for Musical Expression, 174-179, 2017 | 21 | 2017 |
Facilitating the musician's engagement with new musical interfaces: Counteractions in music performance K Tahiroğlu, JC Vasquez, J Kildal Computer Music Journal 41 (2), 69-82, 2017 | 10 | 2017 |
Non-intrusive Counter-actions: Maintaining Progressively Engaging Interactions for Music Performance. K Tahiroglu, JC Vasquez, J Kildal NIME, 444-449, 2016 | 9 | 2016 |
Motivic through-composition applied to a network of intelligent agents JC Vasquez, K Tahiroglu, J Kildal ICMC, 2016 | 6 | 2016 |
Collaborative Electroacoustic Music Composition on the Blockchain K Giannoutakis, JC Vasquez 2022 International Computer Music Conference, ICMC 2022, 10-15, 2022 | 3 | 2022 |
Considerations on Sound Art Documentation: Theories and Case Studies JC Vasquez Proceedings of the International Computer Music Conference (ICMC), 2018 | 3 | 2018 |
Cultural heritage'in-The-wild': Considering digital access to cultural heritage in everyday life D McGookin, K Tahiroglu, T Vaittinen, M Kytö, B Monastero, JC Vasquez Digital Humanities in the Nordic Countries, 63-75, 2018 | 2 | 2018 |
Defragmenting Beethoven: Sound Appropriation as Bridge between Classical Tradition and Electroacoustic Music JC Vasquez Helsinki: Aalto University, 2016 | 2 | 2016 |
Current Activism Trends in Sound Art and Electroacoustic Music in Mexico and Colombia JC Vasquez, O Fraire Proceedings of the International Computer Music Conference, 342-346, 2020 | 1 | 2020 |
Sound appropriation and musical borrowing as a compositional tool in new electroacoustic music JC Vasquez Leonardo Music Journal 29, 88-92, 2019 | 1 | 2019 |
Defragmenting Beethoven: Sound appropriation as bridge between classical tradition and electroacoustic music J Vasquez Gomez | 1 | 2016 |
Ecstasy/Light/Inertia at the Hanshan Art Museum JC Vasquez | | 2024 |
Agential Soundscape Z Chen, JC Vasquez | | 2024 |
Interwoven Existence Z Chen, JC Vasquez, G Santini, I Petrauskas, A O'Dowd | | 2024 |
World premiere of" The Eternalist Paradox"(8-channel version) at the New York City Electroacoustic Music Festival 2024 JC Vasquez | | 2024 |
The Eternalist Paradox: for Accordion and Live Electronics JC Vasquez | | 2024 |
" Agential Soundscape" at the 5th Zijin Award China (Nanjing) University Student Design Exhibition JC Vasquez | | 2024 |
The Neverending Stories of the Pocket Cosmos Z Chen, JC Vasquez, K Lau | | 2024 |