The Body in Parts: Fantasies of Corporeality in Early Modern Europe C Mazzio, D Hillman Routledge, 1997 | 757* | 1997 |
Sins of the Tongue C Mazzio The Body in Parts, 53-79, 2013 | 151 | 2013 |
The Inarticulate Renaissance: Language Trouble in an Age of Eloquence C Mazzio University of Pennsylvania Press, 2008 | 142 | 2008 |
Book Use, Book Theory: 1500-1700 C Mazzio, B Cormack University of Chicago library, 2005 | 141 | 2005 |
Historicism, psychoanalysis, and early modern culture C Mazzio, D Trevor Routledge, 2000 | 88 | 2000 |
Staging the Vernacular: Language and Nation in Thomas Kyd's The Spanish Tragedy C Mazzio Studies in English Literature, 1500-1900 38 (2), 207-232, 1998 | 60 | 1998 |
Acting with Tact: Touch and Theater in the Renaissance C Mazzio Sensible Flesh: On Touch in Early Modern Culture, 159-86, 2003 | 58 | 2003 |
The senses divided: Organs, objects, and media in early modern England C Mazzio Empire of the Senses, 85-105, 2021 | 55 | 2021 |
The History of Air: Hamlet and the trouble with Instruments C Mazzio South Central Review 26 (1), 153-196, 2009 | 53 | 2009 |
Sins of the Tongue in Early Modern England C Mazzio Modern Language Studies, 95-124, 1998 | 52 | 1998 |
Shakespeare and Science, c. 1600 C Mazzio South Central Review 26 (1), 1-23, 2009 | 42 | 2009 |
1997 J Hillman, C Mazzio The Body in Parts: Fantasies of Corporeality in Early Modern Europe, 1964 | 27 | 1964 |
The Melancholy of Print C Mazzio Historicism, Psychoanalysis, and Early Modern Culture, 186-227, 2000 | 26* | 2000 |
Two Responses to ‘Shakespeare and Embodiment: An E‐Conversation’ C Mazzio, R Strier Literature Compass 3 (1), 15-31, 2006 | 24* | 2006 |
The three-dimensional self: Geometry, melancholy, drama C Mazzio Arts of calculation: Quantifying thought in early modern Europe, 39-65, 2004 | 24 | 2004 |
Dreams of History An Introduction C Mazzio, D Trevor Historicism, Psychoanalysis, and Early Modern Culture, 11-28, 2013 | 18* | 2013 |
“There's Magic in The Web of It”: Skin, Mind, and Webs of Touch in Othello JR McDermott Embodied Cognition and Shakespeare's Theatre, 154-172, 2014 | 8 | 2014 |
Book Use B Cormack, C Mazzio Book Theory, 1500-1700, 0 | 6 | |
Circling the Square: Geometry, Masculinity, and the Norms of Antony and Cleopatra C Mazzio Staged Normality in Shakespeare's England, 33-67, 2019 | 2 | 2019 |
Coda: Scepticism and the Spectacular–On Shakespeare in an Age of Science C Mazzio Spectacular Science, Technology and Superstition in the Age of Shakespeare …, 2017 | 2 | 2017 |