| Art, authorship and female issues in a Northern Sotho rock painting site C Namono, EB Eastwood South African Archaeological Society Goodwin Series 9, 77-85, 2005 | 44 | 2005 |
| Resolving the authorship of the geometric rock art of Uganda C Namono Journal of African Archaeology 8 (2), 239-257, 2010 | 21 | 2010 |
| Dikgaatwane tsa Basadi: a study of the link between girls' initiation and rock art in the Makgabeng Plateau, Limpopo Province, South Africa C Namono University of South Africa, 2004 | 18 | 2004 |
| Surrogate surfaces: a contextual interpretive approach to the rock art of Uganda C Namono University of the Witwatersrand, 2010 | 17 | 2010 |
| Dumbbells and circles: symbolism of Pygmy rock art of Uganda C Namono Journal of Social Archaeology 12 (3), 404-425, 2012 | 16 | 2012 |
| Digital technology and a community framework for heritage rock art tourism, Makgabeng Plateau, South Africa C Namono African Archaeological Review 35 (2), 269-284, 2018 | 15 | 2018 |
| Rock art, myth and sacred landscapes: the case of a rock art site in Tororo District, Uganda C Namono Southern African Humanities 20 (2), 317-331, 2008 | 10 | 2008 |
| Meaning then, meaning now: changes in the interpretative process in San rock art studies D Pearce, C Namono, L Mallen The Eland’s People: New Perspectives in the Rock Art of the Maloti …, 2009 | 9 | 2009 |
| Pongo symbolism in the geometric rock art of Uganda C Namono Antiquity 85 (330), 1209-1224, 2011 | 8 | 2011 |
| Appropriating colonial dress in the rock art of the Makgabeng plateau, South Africa C Namono, J van Schalkwyk McDonald Institute for Archaeological Research, 2020 | 3 | 2020 |
| Walter Battiss and South African rock art DG Pearce, L Mallen, C Namono The Digging Stick 34 (2), 7-8, 2017 | 3 | 2017 |
| " Why is it not enough to have beautiful rock art sites to attract tourists?": Challenges facing cultural heritage tourism in a remote area, Limpopo province, South Africa M Duval, S Hoerlé, C Namono, N Ndlovu, A Nivart, F Mosebedi South African Archaeological Bulletin 77 (216), 31-47, 2022 | 2 | 2022 |
| Soaring spirits: rock art, initiation and the Sor secret society of spirit mediums of Karamoja, Uganda C Namono Azania: Archaeological Research in Africa 52 (3), 283-304, 2017 | 2 | 2017 |
| Curation as Engagement: Boulder Exhibits at the Origins Centre, South Africa C Namono Critical Arts 35 (4), 22-43, 2021 | 1 | 2021 |
| It’s Not Gelling: Conservation Mitigation at Bonne Esperance 016 Rock Art Site, Makgabeng, South Africa ED Katsetse, C Namono Conservation and Management of Archaeological Sites 21 (5-6), 344-365, 2019 | 1 | 2019 |
| Shared Symbols, Different Symbolism? Blending Gender Categories in Northern Sotho Initiation Rock Art, Makgabeng, South Africa C Namono Nordic Journal of African Studies 32 (3), 248-266, 2023 | | 2023 |
| A postcolonial perspective on the 2017 ASAPA conference C Namono, MB Lippert, MS Uys South African Archaeological Bulletin 74 (210), 65-69, 2019 | | 2019 |
| Negotiating Yanyuwa Rock Art Relational and Affectual Experiences in the Southwest Gulf of Carpentaria, Northern Australia Comments D Eisenberg-Degen, D Fiore, NHH Tan, C Namono, A Ross, B Smith, ... Current Anthropology 57 (1), 41-52, 2016 | | 2016 |
| The Nature of Heritage: The New South Africa. By L. Meskell. Wiley-Blackwell, Malden, 2012, 272 pp. ISBN 978-0-470-67071-2. $39.95/£ 22.99 (Paperback). C Namono Journal of African Archaeology 10 (2), 235-237, 2012 | | 2012 |
| Africa and Archaeology: Empowering an Expatriate Life C Namono The South African Archaeological Bulletin 66 (193), 97-98, 2011 | | 2011 |
