| Computational systems for music improvisation T Gifford, S Knotts, J McCormack, S Kalonaris, M Yee-King, M d’Inverno Digital Creativity 29 (1), 19-36, 2018 | 32 | 2018 |
| The Politics of Laptop Ensembles: A Survey of 160 Laptop Ensembles and their Organisational Structures. S Knotts, N Collins NIME, 191-194, 2014 | 19 | 2014 |
| A survey on the uptake of Music AI Software. S Knotts, N Collins NIME, 499-504, 2020 | 14 | 2020 |
| Creating an Online Ensemble for Home Based Disabled Musicians: Disabled Access and Universal Design-why disabled people must be at the heart of developing technology AHC Skuse, S Knotts Proceedings of the International Conference on New Interfaces for Musical …, 2020 | 10 | 2020 |
| A JavaScript musical machine listening library N Collins, S Knotts | 8 | 2019 |
| Algorithmic Interfaces for Collaborative Improvisation S Knotts Proceedings of the International Conference on Live Interfaces, 232-237, 2016 | 8 | 2016 |
| AI-Lectronica: Music AI in clubs and studio production S Knotts, N Collins Handbook of Artificial Intelligence for Music: Foundations, Advanced …, 2021 | 7 | 2021 |
| Social Systems for Improvisation in Live Computer Music S KNOTTS Durham University, 2018 | 5 | 2018 |
| Evaluating improvisational interfaces T Gifford, S Knotts, S Kalonaris, J McCormack ICW2017: Proceedings of the Improvisational Creativity Worskshop, Toby …, 2017 | 5 | 2017 |
| Creating an online ensemble for home based disabled musicians: why disabled people must be at the heart of developing technology A Skuse, S Knotts Proceedings of the International Conference on New Interfaces for Musical …, 2020 | 4 | 2020 |
| Changing Music’s Constitution: Network Music and Radical Democratization S Knotts Leonardo Music Journal 25, 47-52, 2015 | 4 | 2015 |
| Live coding and failure S Knotts, A Hamilton, L Pearson The Aesthetics of Imperfection in Music and the Arts: Spontaneity, Flaws and …, 2020 | 3 | 2020 |
| Soundbeam: A platform for sonyfing web tracking C Hutchins, H Ballweg, S Knotts, J Hummel, A Roberts Proceedings of the International Conference on New Interfaces for Musical …, 2014 | 3 | 2014 |
| SuperContinent: Global, collective live coding improvisation C Betancur, A Khoparzi, S Knotts, M Laubscher, M Marie, D Ogborn, ... NIME 2021, 2021 | 2 | 2021 |
| Aesthetic coding: Exploring computational culture beyond creative coding, in ‘ W Soon, S Knotts Art Machines: International Symposium on Computational Media Art, 87, 2018 | 2 | 2018 |
| A portfolio of compositions: commentary S Knotts University of Birmingham, 2013 | 2 | 2013 |
| Community Report: LivecoderA A Champlin, J Chicau, M Corfiel, S Knotts, M Marie, I Saladino, A Xambó | 1 | 2023 |
| Live Coding Machine Learning: Finding the Moments of Intervention in Autonomous Processes I Paz, S Knotts Computer Music Journal 46 (4), 81-96, 2022 | 1 | 2022 |
| Towards improving collaboration between visualists and musicians at algoraves Z Street, A Albornoz, R Bell, G John, O Jack, S Knotts, A McLean, ... Proceedings of the International Conference on Livecoding, Medialab Prado …, 2019 | 1 | 2019 |
| ALGOBABEZ: Writing Code, Pushing Buttons S Knotts, J Armitage Dancecult: Journal of Electronic Dance Music Culture 10 (1), 2018 | 1 | 2018 |
