| Robots over humans? The place of artificial intelligence in the pedagogy of art direction in film education DK Brako, AK Mensah Journal of Emerging Technologies 3 (2), 51-59, 2023 | 8 | 2023 |
| Effects of binge-watching of Netflix on students: A study of department of theatre and film studies, University of Cape Coast, Ghana DK Brako, G Oduro-Appiah Journal of African History, Culture and Arts 2 (4), 225-233, 2022 | 5 | 2022 |
| Elements and principles of design in scenic design in Ghana’s Most Beautiful Reality TV Show: An aesthetic evaluation DK Brako, SJ Gilbert Journal of African History, Culture and Arts 2 (2), 83-93, 2022 | 5 | 2022 |
| “A STROLL DOWN MEMORY LANE”: A REVIEW OF MARKETING PRINCIPLES IN GHANAIAN THEATRE S Tetteyfio-Manu, DK Brako, E Asante International Review of Humanities Studies 8 (1), 16, 2023 | 1* | 2023 |
| CINEMATIC SPACE IN CONTEMPORARY GHANAIAN NARRATIVES: A RE READING OF THE FILM SINKING SAND DK Brako IGWEBUIKE: African Journal of Arts and Humanities 10 (6), 2024 | | 2024 |
| Arts entrepreneurship in higher educational institutions in theatre and film studies in Ghana. Evidence from the University of Cape Coast PN Nyatuame, M Bello, A Dennis, EJ Mefful, G Oduro-Appiah, DK Brako, ... Entrepreneurship and Enterprise Development in Africa, 107-130, 2024 | | 2024 |
| The songs behind the scenes: Examining the use of film music in Sam Aryeetey’s No Tears for Ananse DK Oduro-Appiah, G., & Brako LIWURAM Journal of Humanities 24 (1), 294-301, 2024 | | 2024 |
| Talking headdress: Tekua, the proverbial language among the Fante of Elmina, Ghana DK Mamiya, W. A. S., & Brako Journal of Innovations in Art & Culture for Nature Conservation and …, 2024 | | 2024 |
| An audience experience of production design in three period films in Ghana DK Brako Journal of Creative Arts, Communication and Media Studies 1 (1), 106-127, 2022 | | 2022 |
| “If it is not a train, then what is it?”: A study of symbolism in the film titled Keteke by Peter Sedufia SKG Brako, D. K., Gilbert LASA Journal of Humanities 16 (2), 1-19, 2022 | | 2022 |
| COVID-19,“Roll Camera and Action”: Filming culture of a Ghanaian Cinematographer in a Pandemic Era DK Brako | | 2022 |
| Transposition of Workshop Negative unto the Ghanaian Television Screen using Virtual Sets DK Brako International Journal of Creative Research Thoughts 8 (9), 3473-3506, 2020 | | 2020 |
| Design Concepts in the Production of Heritage Africa, a Period Film DK Brako The Parnassus: University of Uyo Journal of Cultural Research 16, 191-205, 2020 | | 2020 |
| Gollywood: Some issues in Naming of the Ghana Film Industry DK Brako The Parnassus: University of Uyo Journal of Cultural Research 15, 111-126, 2019 | | 2019 |
| JOURNAL OF AFRICAN ARTS & CULTURE D Brako Journal of African Arts and Culture Vol 2 (2), 70, 2018 | | 2018 |
| Re-examining Digital Effects in 'Kumawood' Science Fiction Film Titled 2016 D Brako Journal of African Arts and Culture 2 (2), 69-81, 2018 | | 2018 |
| THEATRICAL METAMORPHOSIS: NATURALISM’S LEGACY IN SHAPING SCENIC DESIGN NARRATIVES S Koomson, DK Brako | | |
| AESTHETICISING ABOAKYIR FESTIVAL DK Brako | | |
