| A break with the past: The Nigerian video-film industry in the context of colonial filmmaking I Obiaya Film History: An International Journal 23 (2), 129-146, 2011 | 34 | 2011 |
| Nollywood on the Internet: A preliminary analysis of an online Nigerian video-film audience I Obiaya Journal of African Media Studies 2 (3), 321-338, 2010 | 22 | 2010 |
| Behind the scenes: The working conditions of technical workers in the Nigerian film industry I OBIAYA In A. Dawson, & S. Holmes (Eds.), Working in the Global Film and Television …, 2012 | 17 | 2012 |
| African cinema in the throes of commercialism and populism I Obiaya Camera, commerce and conscience: Afrowood and the crisis of purpose, 165-181, 2019 | 7 | 2019 |
| Restructuring the Nigerian video film industry I Obiaya Universidad de Navarra, 2012 | 7 | 2012 |
| The Blossoming of the Nigerian Video Film Industry I Obiaya Academia.(Retrieved 7 April 2017), 2015 | 5 | 2015 |
| Nollywood female audience and the negotiating of pleasure. I Obiaya In K. L. Hole, D. Jelaca, A. E. Kaplan, & P. Petro (Eds.), The Routledge …, 2017 | 4 | 2017 |
| Nollywood as decoloniality I Obiaya Routledge Handbook of African Media and Communication Studies, 245-255, 2021 | 2 | 2021 |
| Sub-Saharan African cinema: Influences and prospects I Obiaya Pamplona: Servicio de Publicaciones de la Universidad de Navarra., 2016 | 2 | 2016 |
| Taking Nigeria to the movies: The innovative regulatory role of the National Film and Video Censors Board I Obiaya Journal of African Media Studies 5 (3), 261-274, 2013 | 2 | 2013 |
| Araromire/the Figurine: An Updated Model for Nollywood? I Obiaya Journal of African Media Studies 3 (2), 297-299, 2011 | 2 | 2011 |
| Il Nigerian Film and Video Censors Board: le basi socio-politiche della censura dei video nigeriani. (The National Film and Video Censors Board: The Socio-political Basis of … I Obiaya In A. Jedlowski, & G. Santanera (Eds.), Lagos calling: Nollywood e la …, 2015 | 1* | 2015 |
| The Milkmaid, Desmond Ovbiagele (dir.) (2020), Nigeria: Danono Media I Obiaya Journal of African Media Studies 16 (1), 107-109, 2024 | | 2024 |
| Nigerian Prince. 2018. 104 minutes. English and Igbo. Nigeria and United States. Vertical Entertainment. Streaming on Netflix. No price reported. I Obiaya African Studies Review 65 (2), E55-E56, 2022 | | 2022 |
| Technological determinism and the evolution of Nollywood I Obiaya Media and Communication in Nigeria: Conceptual Connections, Crossroads and …, 2021 | | 2021 |
| Distribution gaps in Nigeria’s movie industry: Balancing conflict of perspectives between the regulator and the regulated I Obiaya Regulating Nollywood in a global economy, 94–104, 2020 | | 2020 |
| IKECHUKWU OBIAYA AND MARTIN N. NDLELA I Obiaya, MN Ndlela JOURNAL OF AFRICAN MEDIA STUDIES 6 (2), 137-138, 2014 | | 2014 |
| “The Right to Tell My Story as I Please”: Regulation and Self-Censorship in the Nigerian Film Industry I Obiaya Communication Rights in Africa, 129-145, 0 | | |
