| Queer Music Theory GSK Lee Music Theory Spectrum 42 (1), 143-153, 2020 | 19 | 2020 |
| Rethinking Difference in Gender, Sexuality, and Popular Music: Theory and Politics of Ambiguity GSK Lee Routledge, 2018 | 17 | 2018 |
| Introduction to the Special Issue on Global Musical Modernisms GSK Lee, CJ Miller Twentieth-Century Music 20 (3), 274-291, 2023 | 2 | 2023 |
| Postcolonial Bifurcation: On John Sharpley's Emptiness GSK LEE Music Analysis 38 (3), 316-357, 2019 | 2 | 2019 |
| Introduction: From difference to ambiguity GSK Lee Rethinking Difference in Gender, Sexuality, and Popular Music, 1-11, 2018 | 2 | 2018 |
| Global Musical Modernisms as Decolonial Method GSK Lee Twentieth-Century Music 20 (3), 424-448, 2023 | 1 | 2023 |
| Dialectics of Debate: Reflections on Three Pedagogical Scenes in Chinese Music History GSK Lee Current Musicology, 2019 | 1 | 2019 |
| Queer desire is not gay, gender is a fantasy: Ways of loving Britney GSK Lee Rethinking Difference in Gender, Sexuality, and Popular Music, 150-167, 2018 | 1 | 2018 |
| Postcolonial Affect: Ambiguous Relationality in Robert Casteels's L’(autre) fille aux cheveux de Bali GSK Lee Journal of the Royal Musical Association 140 (2), 417-443, 2015 | 1 | 2015 |
| Sex Sounds: Vectors of Difference in Electronic Music GSK Lee Music Analysis 43 (1), 175-187, 2024 | | 2024 |
| Global Philosophy of Music: Ji Kang versus Hanslick GSK Lee Music Theory Online 29 (4), 2023 | | 2023 |
| The Chronographic Fallacy of Unilinear Music Theory, Or, Un (Re) productive Temporality in Dichterliebe GSK Lee Queer Ear: Remaking Music Theory, 186, 2023 | | 2023 |
| Queer and Critical Race Theory GSK Lee, P Ewell, R Hatten Queer Ear: Remaking Music Theory, 31, 2023 | | 2023 |
| 9 Queer desire is not gay, gender is a fantasy GSK Lee | | |
Phil EwellHunter College, CUNY在 philipewell.com 的电子邮件经过验证
Phil EwellHunter College, CUNY在 philipewell.com 的电子邮件经过验证