| Decolonising musicology: a response and three positions C Venter, W Fourie, JM Pistorius, N Muyanga SAMUS: South African Music Studies 36 (1), 129-156, 2018 | 7 | 2018 |
| Coloured opera as subversive forgetting JM Pistorius Social Dynamics 43 (2), 230-242, 2017 | 7 | 2017 |
| Predicaments of Coloniality, or, Opera Studies Goes Ethno J Pistorius Music and Letters 100 (3), 529-539, 2019 | 6 | 2019 |
| Inhabiting Whiteness: The Eoan Group La traviata, 1956 JM Pistorius Cambridge Opera Journal 31 (1), 63-84, 2019 | 5 | 2019 |
| Eoan, assimilation, and the charge of ‘coloured culture’ JM Pistorius SAMUS: South African Music Studies 36 (1), 389-415, 2018 | 5 | 2018 |
| A Modern-Day Florestan: Fidelio on Robben Island and South Africa's Early Democratic Project JM PISTORIUS Twentieth-Century Music 20 (1), 107-125, 2023 | 2 | 2023 |
| Burgerskap onder konstruksie: Aida en Rigoletto by die Suid-Afrikaanse Republiekfeesvieringe, 1971 JM Pistorius, H Roos Litnet Akademies:'n Joernaal vir die Geesteswetenskappe, Natuurwetenskappe …, 2021 | 2 | 2021 |
| The Head and the Load, dir. William Kentridge J Pistorius SAMUS: South African Music Studies 38, 82-89, 2018 | 2* | 2018 |
| The Eoan Group and the politics of coloured opera in apartheid South Africa J Pistorius University of Oxford, 2017 | 2 | 2017 |
| Nagmusiek [Night Music] JM Pistorius Fontes Artis Musicae 62 (2), 130-132, 2015 | 2 | 2015 |
| On Loss JM Pistorius, S Muller South African Music Studies 39, 1-17, 2019 | 1 | 2019 |
| Eoan: Our Story JM Pistorius Muziki 14 (1), 140-143, 2017 | 1 | 2017 |
| The Pan-African Gorée Institute at Thirty: A Tribute to Breyten Breytenbach and the Power of the Imagination JM Pistorius, Y T’Sjoen, A Roux Afrika Focus 36 (2), 324-330, 2023 | | 2023 |
| Nina Sun Eidsheim, Katherine Meizel (eds.), The Oxford Handbook of Voice Studies. New York, Oxford University Press, 2019 JM Pistorius Transposition. Musique et Sciences Sociales, 2021 | | 2021 |
| Mourning and music JM Pistorius On Commemoration: Global Reflections upon Remembering War, 247-248, 2020 | | 2020 |
| The Total Work of War: William Kentridge’s The Head and the Load as Post-Colonial Gesamtkunstwerk J Pistorius CAA 2020 ANNUAL CONFERENCE, 2020 | | 2020 |
| Music, Scholarship and Cultures of Care JM Pistorius, S Muller SAMUS: South African Music Studies 40 (1), 1-13, 2020 | | 2020 |
