| A View from the Trenches of Music 2.0 S Young, S Collins Popular Music and Society 33 (3), 339-355, 2010 | 116 | 2010 |
| Digital fair: Prosumption and the fair use defence S Collins Journal of Consumer Culture 10 (1), 37-55, 2010 | 105 | 2010 |
| Beyond 2.0: The future of music S Collins, S Young Equinox, 2014 | 32 | 2014 |
| Technologically mediated transparency in music production A Renzo, S Collins Popular Music and Society 40 (4), 406-421, 2017 | 16 | 2017 |
| YouTube and limitations of fair use in remix videos S Collins Journal of Media Practice 15 (2), 92-106, 2014 | 16 | 2014 |
| Waveform pirates: Sampling, piracy and musical creativity S Collins Journal on the Art of Record Production, 2008 | 15 | 2008 |
| Amen to that: sampling and adapting the past S Collins M/C journal 10 (2), 2007 | 15 | 2007 |
| Off the charts: The implications of incorporating streaming data into the charts S Collins, P O’Grady Networked Music Cultures: Contemporary Approaches, Emerging Issues, 151-169, 2016 | 11 | 2016 |
| Good copy, bad copy: Covers, sampling and copyright S Collins M/C Journal 8 (3), 2005 | 8* | 2005 |
| ‘Property Talk’and the Revival of Blackstonian Copyright S Collins M/C Journal 9 (4), 2006 | 7 | 2006 |
| Mastering 2.0: The real or perceived threat of DIY mastering and automated mastering systems S Collins, A Renzo, S Keith, A Mesker Popular Music and Society 44 (3), 258-273, 2021 | 6 | 2021 |
| Kookaburra v. down under: It’s just overkill S Collins Scan Journal 7 (1), 1-9, 2010 | 6 | 2010 |
| Technology and magick S Collins Scan: journal of media arts culture 1 (2), 2004 | 5 | 2004 |
| Zoning laws: Facebook and google+ A Ruch, S Collins M/C journal 14 (5), 2011 | 4 | 2011 |
| Recovering fair use S Collins M/C Journal 11 (6), 2008 | 4 | 2008 |
| Transformations and continuities in the mastering sector S Collins, A Renzo, S Keith, A Mesker Mastering in music, 249-263, 2020 | 2 | 2020 |
| Acting out: Resisting copyright monopolies S Collins The Routledge Companion to Media and Activism, 346-354, 2018 | 2 | 2018 |
| Numerical modelling of the Turam electromagnetic prospecting method S Collins, M Sc Macquarie University, Sydney, 1976 | 2 | 1976 |
| Language Awareness at School: A Practical Guide for Teachers and School Leaders T Marr, S Collins Routledge, 2023 | 1 | 2023 |
| Industry standard? Technocapitalist depictions of music production S Keith, S Collins, A Renzo, A Mesker Creative Industries Journal 15 (3), 317-331, 2022 | 1 | 2022 |
Sarah KeithSenior Lecturer, Media and Music在 mq.edu.au 的电子邮件经过验证
