| The cyborg subject: Reality, consciousness, parallax G Benjamin Springer, 2016 | 26 | 2016 |
| Playing at control: writing surveillance in/for gamified society G Benjamin Surveillance & Society 17 (5), 699-713, 2019 | 19 | 2019 |
| # FuckTheAlgorithm: algorithmic imaginaries and political resistance G Benjamin Proceedings of the 2022 ACM Conference on Fairness, Accountability, and …, 2022 | 15 | 2022 |
| What we do with data: A performative critique of data" collection" G Benjamin Internet Policy Review 10 (4), 1-27, 2021 | 15 | 2021 |
| Privacy as a cultural phenomenon G Benjamin Journal of Media Critiques 3 (10), 55-74, 2017 | 13 | 2017 |
| From protecting to performing privacy G Benjamin Journal of Sociotechnical Critique 1 (1), 1-30, 2020 | 12 | 2020 |
| Drone culture: perspectives on autonomy and anonymity G Benjamin AI & SOCIETY 37 (2), 635-645, 2022 | 11 | 2022 |
| Amazon Echo’s privacy issues go way beyond voice recordings G Benjamin The Conversation. Retrieved from https://theconversation. com/amazon-echos …, 2020 | 7 | 2020 |
| “Virtual Reality” Reconsidered G Benjamin Handbook of Research on Digital Media and Creative Technologies, 200-223, 2015 | 5 | 2015 |
| Indistinguishable from magic: perception, knowledge, technology, art G Benjamin Leonardo 53 (5), 510-514, 2020 | 4 | 2020 |
| " Put It In the Bin": Mapping AI as a framework of refusal G Benjamin Resistance AI Workshop at NeurIPS2020, 2020 | 3 | 2020 |
| Who watches the Birdwatchers? Sociotechnical vulnerabilities in Twitter’s content contextualisation G Benjamin International Workshop on Socio-Technical Aspects in Security, 3-23, 2021 | 2 | 2021 |
| Type IV culture or, is it possible to define a framework for universal creativity? G Benjamin Digital Creativity 27 (1), 24-36, 2016 | 2 | 2016 |
| Civilisation on the couch: Theorising multi-levelled psychoanalytical arts practice G Benjamin Arts and Humanities in Higher Education 13 (3), 243-249, 2014 | 2 | 2014 |
| Digital Society: Regulating privacy and content online G Benjamin Solent University, 2020 | 1 | 2020 |
| Augmented Headspace: Digital Parallax G Benjamin International Journal of Žižek Studies 9 (1), 2016 | 1 | 2016 |
| Rewriting Consciousness: Diversity, Post-Humans and Utopia in Hannu Rajaniemi’s Jean le Flambeur Trilogy G Benjamin Foundation: the International Review of Science Fiction 44 (121), 54, 2015 | 1 | 2015 |
| Squeeveillance: Performing cuteness to normalise surveillance power G Benjamin Surveillance & Society, 2024 | | 2024 |
| Digitised work G Benjamin Sociology, work and organisations: a global context, 2024 | | 2024 |
| Mistrust Issues: How Technology Discourses Quantify, Extract and Legitimize Inequalities G Benjamin Policy Press, 2023 | | 2023 |
