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Filipa Magalhães
Filipa Magalhães
其他姓名CESEM NOVA FCSH
Researcher, FCSH, Universidade Nova de Lisboa
在 campus.fcsh.unl.pt 的电子邮件经过验证 - 首页
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引用次数
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Preservation and technological obsolescence: Portuguese contemporary musical heritage in perspective
I Pires, F Magalhães, A Nogueira
Journal of New Music Research 47 (4), 355-364, 2018
162018
Music, performance, and preservation: insights into documentation strategies for music theatre works
F Magalhães
International journal of performance arts and digital media 18 (3), 316-340, 2022
72022
Recovering Music-Theatre Works Involving Electronic Elements: The Case of Molly Bloom and FE… DE… RI… CO…
F Magalhães, I Pires
Organised sound 24 (1), 96-108, 2019
72019
‘A música já não pode viver sozinha’: da interação rumo à identidade na obra de Constança Capdeville
F Magalhães
PhD diss., Nova University of Lisbon, Faculty of Social and Human Sciences …, 2020
52020
Reflexões em torno do teatro-música de Constança Capdeville
F Magalhães
Dramaturgias, 88-102, 2019
52019
Providing Access to Music-Theatre Works with Electronic Sound on Tape
F Magalhães, I Pires
International Association of Sound and Audiovisual Archives (IASA) Journal …, 2017
52017
Musicological Archaeology and Constança Capdeville
F Magalhães
TDR 66 (3), 64-77, 2022
42022
A obra de Constança Capdeville: itinerários artísticos, sociais e afetivos
F Magalhães
Geografias Culturais da Música, do Som e do Silêncio, 275-300, 2020
42020
Levantamento de espólios fonográficos em fitas magnéticas-Avaliação do Estado de Conservação das Fitas. 96 p
AF MAGALHÃES
Dissertação (mestrado). Faculdade de Ciências Sociais e Humanas …, 2012
32012
Colecviva and its Collaborative Methods Viewed as an Educational Project
F Magalhães
Contemporary Music Review 42 (2), 215-235, 2023
22023
Material Sources, Lack of Notation and the Presence of Collaborators: The Case of Double by Constança Capdeville
F Magalhães
Organised Sound 27 (2), 193-205, 2022
22022
A PRESERVAÇÃO DA PERFORMANCE MUSICAL CONTEMPORÂNEA: O CASO DO ESPÓLIO FONOGRÁFICO EM FITAS MAGNÉTICAS DE CLOTILDE ROSA PRESERVING CONTEMPORARY MUSICAL PERFORMANCE: THE CASE OF …
A Nogueira, F Magalhães, I Pires, R Macedo
22014
Constança Capdeville’s Personal Archive: Difficulties in Describing and Documenting Performative Practices
F Magalhães
Archival Notes, 2022
12022
philology as a systematic Method of documentation and its application to the study of Constança Capdeville’s Musical works
F MAgAlHãES
Interdisciplinary Studies in Musicology, 64-78, 2020
12020
Experimental Approaches in Portuguese Music Theatre
F Magalhães
Contemporary Music Review 42 (2), 131-134, 2023
2023
Constança Capdeville and the ColecViva Group: Alejandro Erlich Oliva in Interview with Filipa Magalhães
F Magalhães
Contemporary Music Review 42 (2), 267-282, 2023
2023
Technological and Artistic Challenges in the Reperformance of Music Theatre Work FE... DE... RI... CO...(1987) by Constança Capdeville: From the Archive to the Stage 1
F Magalhães
INSAM Journal of Contemporary Music, Art and Technology, 31-52, 2023
2023
Music theatre preservation: Intersections between musicology and archival science
F Magalhães
Conference on Interdisciplinary Musicology, 2022
2022
IDIOSYNCRATIC WAYS OF PRESERVING PERFORMING ARTS CREATION IN AN (DIGITAL) ARCHIVE
F Magalhães
2022
A obra de Constança Capdeville
F Magalhães
Geografias culturais da música, 275-299, 2020
2020
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