| Retrospective cultural consecration in popular music: Rolling Stone’s greatest albums of all time V Schmutz American Behavioral Scientist 48 (11), 1510-1523, 2005 | 184 | 2005 |
| Gender and cultural consecration in popular music V Schmutz, A Faupel Social forces 89 (2), 685-707, 2010 | 177 | 2010 |
| The evaluation of popular music in the United States, Germany and the Netherlands: A comparison of the use of high art and popular aesthetic criteria A Van Venrooij, V Schmutz Cultural Sociology 4 (3), 395-421, 2010 | 151 | 2010 |
| Social and symbolic boundaries in newspaper coverage of music, 1955–2005: Gender and genre in the US, France, Germany, and the Netherlands V Schmutz Poetics 37 (4), 298-314, 2009 | 118 | 2009 |
| Change and continuity in newspaper coverage of popular music since 1955: Evidence from the United States, France, Germany, and the Netherlands V Schmutz, A Van Venrooij, S Janssen, M Verboord Popular Music and Society 33 (4), 501-515, 2010 | 82 | 2010 |
| World heritage: Constructing a universal cultural order MA Elliott, V Schmutz Poetics 40 (3), 256-277, 2012 | 69 | 2012 |
| Categorical ambiguity in cultural fields: The effects of genre fuzziness in popular music A Van Venrooij, V Schmutz Poetics 66, 1-18, 2018 | 51 | 2018 |
| Tourism and sustainability in the evaluation of World Heritage Sites, 1980–2010 V Schmutz, MA Elliott Sustainability 8 (3), 261, 2016 | 47 | 2016 |
| From fallen women to Madonnas: Changing gender stereotypes in popular music critical discourse A Faupel, V Schmutz Sociologie de l'art 18, 17-34, 2011 | 47 | 2011 |
| Rationalized authenticity and the transnational spread of intangible cultural heritage M DeSoucey, MA Elliott, V Schmutz Poetics 75, 101332, 2019 | 30 | 2019 |
| Cultural capital formation in adolescence: High schools and the gender gaps in arts activity participation V Schmutz, E Stearns, EJ Glennie Poetics, 2016 | 30 | 2016 |
| World heritage and the scientific consecration of ‘outstanding universal value’ V Schmutz, MA Elliott International Journal of Comparative Sociology 58 (2), 140-159, 2017 | 21 | 2017 |
| Commercialization and consecration: Media attention to popular music in the US and the Netherlands, 1975–2005 V Schmutz Poetics 59, 82-95, 2016 | 21 | 2016 |
| Harmonizing forms of legitimacy in the consecration of popular music V Schmutz, A van Venrooij American Behavioral Scientist, 0002764218813607, 2021 | 20 | 2021 |
| The Classification and Consecration of Popular Music: Critical Discourse and Cultural Hierarchies VC Schmutz Erasmus University Rotterdam, 2009 | 20 | 2009 |
| Retrospective consecration beyond the mainstream: The creation of a progressive rock canon TJ Dowd, T Ryan, V Schmutz, D Parris, A Bledsoe, D Semenza American Behavioral Scientist 65 (1), 116-139, 2021 | 17 | 2021 |
| Diffusion and decoupling in the world heritage movement: Exploring global/local tensions in Africa MA Elliott, V Schmutz European Journal of Cultural and Political Sociology 3 (2-3), 152-176, 2016 | 12 | 2016 |
| Race and genre ambiguity in the critical reception of popular music A van Venrooij, C Miller, V Schmutz Sociological Inquiry 92 (2), 568-596, 2022 | 9 | 2022 |
| Production of Culture V Schmutz, CN Miller Emerging Trends in the Social & Behavioral Sciences, 2015 | 9 | 2015 |
| Cultural consecration and the creation of canons V Schmutz The routledge companion to popular music history and heritage, 67-75, 2018 | 8 | 2018 |
Alex van VenrooijUniversity of Amsterdam在 uva.nl 的电子邮件经过验证
