| The spectre of sound: Music in film and television K Donnelly Bloomsbury Publishing, 2019 | 355 | 2019 |
| Film music: critical approaches KJ Donnelly Edinburgh University Press, 2001 | 190 | 2001 |
| Occult aesthetics: Synchronization in sound film KJ Donnelly Oxford University Press, 2013 | 136 | 2013 |
| Music in Video Games KJ Donnelly, W Gibbons, N Lerner All Your Bass are Belong to Us (= Routledge Music and Screen Media Series …, 2014 | 71 | 2014 |
| Pop music in British cinema KJ Donnelly British Film Institute, 2001 | 61 | 2001 |
| Tracking British television: pop music as stock soundtrack to the small screen KJ Donnelly Popular Music 21 (3), 331-343, 2002 | 47 | 2002 |
| The classical film score forever?: Batman, Batman Returns and post-classical film music KJ Donnelly Contemporary Hollywood Cinema, 142-155, 2013 | 42 | 2013 |
| Magical musical tour: Rock and pop in film soundtracks KJ Donnelly Bloomsbury Publishing USA, 2015 | 41 | 2015 |
| Transcribing musical worlds; or, Is LA Noire a music game? KJ Donnelly, W Gibbons, N Lerner Music in Video Games, 77-103, 2014 | 39 | 2014 |
| British film music and film musicals K Donnelly Springer, 2007 | 39 | 2007 |
| Music in Science Fiction Television KJ Donnelly Taylor & Francis, 2022 | 38 | 2022 |
| Extending film aesthetics: audio beyond visuals KJ Donnelly The Oxford handbook of new audiovisual aesthetics, 357-371, 2013 | 29 | 2013 |
| Saw heard: musical sound design in contemporary cinema KJ Donnelly Routledge, 2009 | 24 | 2009 |
| Performance and the composite film score KJ Donnelly Film music: Critical approaches, 152-66, 2001 | 24 | 2001 |
| Hearing Deep Seated Fears: John Carpenter’s The Fog (1980) KJ Donnelly Music in the Horror Film, 164-179, 2009 | 21 | 2009 |
| The hidden heritage of film music: history and scholarship K Donnelly Edinburgh University Press; Continuum, 2001 | 21 | 2001 |
| Between prosaic functionalism and sublime experimentation: Doctor Who and musical sound design KJ Donnelly Manchester University Press, 2007 | 20 | 2007 |
| Today's sounds for yesterday's films: Making music for silent cinema KJ Donnelly, AK Wallengren Springer, 2016 | 19 | 2016 |
| Visualizing live albums: progressive rock and the British concert film in the 1970s KJ Donnelly The Music Documentary, 171-182, 2013 | 18 | 2013 |
| ‘Troubles Tourism’: the terrorism theme park on and off screen KJD LY The media and the tourist imagination, 106-118, 2005 | 17* | 2005 |
Ann-Kristin Wallengren在 litt.lu.se 的电子邮件经过验证
Ann-Kristin Wallengren在 litt.lu.se 的电子邮件经过验证
Philip HaywardUniversity of Technology Sydney & Western Sydney University