| The Routledge dictionary of English language studies M Pearce Routledge, 2012 | 86 | 2012 |
| Black British Drama: A Transnational Story M Pearce Routledge, 2017 | 40 | 2017 |
| Making Whiteness Visible and Felt in Fairview M Pearce Humanities 10 (2), 81, 2021 | 5 | 2021 |
| Black British Theatre: a transnational perspective MC Pearce PQDT-UK & Ireland, 2013 | 4 | 2013 |
| Roy Williams M Pearce Modern British Playwriting 2000-2009: Voices, Documents, New Interpretations …, 2013 | 4 | 2013 |
| ‘Though we are written into the landscape you don’t see us’(Testament, 2018). Black Faces in White Spaces: Whiteness as Terror and the Terror of Un-belonging in Black Men Walking M Pearce The Palgrave Handbook of Theatre and Race, 327-348, 2021 | 2 | 2021 |
| ‘Why then the world's mine oyster/Which I with sword will open': Africa, diaspora, Shakespeare: cross-cultural encounters on the global stage M Pearce Shakespeare, Race and Performance, 65-79, 2016 | 2 | 2016 |
| Tracing Black America in Black British Theatre from the 1970s M Pearce http://www.blackplaysarchive.org.uk/featured-content/essays/tracing-black …, 2013 | 2 | 2013 |
| Black Rage: Diasporic Empathy and Ritual in debbie tucker green’s hang M Pearce debbie tucker green: Critical Perspectives, 23-44, 2020 | | 2020 |
| Biyi Bandele’s Theatre of the Afropolitan Absurd M Pearce Africa on the Contemporary London Stage, 87-108, 2018 | | 2018 |
| African theatre 12: Shakespeare in and out of Africa M Pearce Studies in Theatre and Performance 35 (3), 269-271, 2015 | | 2015 |
| Kwame Kwei-Armah's African-American Inspired Triptych M Pearce Modern and Contemporary Black British Drama, 128-144, 2015 | | 2015 |
| 'Why then the world’s mine oyster/ Which I with sword will open’. Looking beyond the nation: Thinking about British Black and Asian Shakespeare transnationally. M Pearce Mapping British Black and Asian Shakespeare from 1930 to 2012, Warwick …, 0 | | |
