| Cinema and Painting: How Art Is Used in Film A Dalle Vacche University of Texas Press, 1996 | 246 | 1996 |
| The body in the mirror: shapes of history in Italian cinema A Dalle Vacche Princeton University Press, 2014 | 230 | 2014 |
| Diva: Defiance and passion in early Italian cinema A Dalle Vacche University of Texas Press, 2008 | 120 | 2008 |
| The visual turn: Classical film theory and art history A Dalle Vacche Rutgers University Press, 2003 | 101 | 2003 |
| Cinema and painting: how art is used in film A Vacche Athlone, 1996 | 97 | 1996 |
| Color, the film reader A Dalle Vacche, B Price (No Title), 2006 | 62 | 2006 |
| American cinema of the 1920s: themes and variations A Dalle Vacche, JM Bean, S Higashi, M Aronson, M Anderson, S Ross, ... Rutgers University Press, 2009 | 39 | 2009 |
| Film, Art, New Media: Museum Without Walls?: Museum Without Walls? A Dalle Vacche Springer, 2012 | 38 | 2012 |
| A Painter in Hollywood: Vincente Minnelli's" An American in Paris" A Dalle-Vacche Cinema Journal 32 (1), 63-83, 1992 | 20 | 1992 |
| Color: The Film Reader AD Vacche, B Price Routledge, 2006 | 17 | 2006 |
| Jean-Luc Godard's" Pierrot le Fou": Cinema as Collage against Painting AD Vacche Literature/Film Quarterly 23 (1), 39-54, 1995 | 15 | 1995 |
| Painting thoughts, listening to images: Eric Rohmer's The Marquise of O... A Dalle Vacche Film Quarterly (ARCHIVE) 46 (4), 2, 1993 | 14 | 1993 |
| The Difference of Cinema in the System of the Arts A Dalle Vacche Opening Bazin Postwar Film Theory and Its After Life, 142-152, 2011 | 12 | 2011 |
| André Bazin's Film Theory: Art, Science, Religion A Dalle Vacche Oxford University Press, 2019 | 9 | 2019 |
| Introduction: Unexplored Connections in a New Territory A Dalle Vacche The Visual Turn: Classical Film Theory and Art History, 1-29, 2003 | 8 | 2003 |
| The diva Film: Context, actresses, issues A Dalle Vacche Italian silent cinema: A reader, 185-194, 2013 | 7 | 2013 |
| Femininity in Flight: Androgyny and Gynandry in Early Silent Italian Cinema A Dalle Vacche na, 2002 | 7 | 2002 |
| Murnau’s Nosferatu: Romantic Painting as Horror and Desire in Expressionist Cinema A Dalle Vacche PostScript: Essays in Film and the Humanities 14, 25-36, 1995 | 7 | 1995 |
| The Art Documentary in the Postwar Period A Dalle Vacche Aniki: Revista Portuguesa da Imagem em Movimento 1 (2), 292-313, 2014 | 6 | 2014 |
| Chiaroscuro: Caravaggio, Bazin, Storaro A Vacche Senses of Cinema 53, 2009 | 6 | 2009 |
