| Mozart's Music of Friends: Social Interplay in the Chamber Works E Klorman Cambridge University Press, 2016 | 122 | 2016 |
| Multiple Agency in Mozart's Chamber Music E Klorman City University of New York, 2013 | 20 | 2013 |
| "Performers as Creative Agents; or, Musicians Just Want To Have Fun" E Klorman Music Theory Online 24 (3), http://mtosmt.org/issues/mto.18.24.3/mto, 2018 | 13 | 2018 |
| Performance and Analysis Today: New Horizons D Barolsky, E Klorman Music Theory Online 22 (2), 2016 | 9 | 2016 |
| Mozart’s Influence on Nineteenth-Century Composers’ E Klorman Mozart in context, 273-82, 2018 | 5 | 2018 |
| "The First Professional String Quartet? Re-Examining an Account Attributed to Giuseppe Maria Cambini" E Klorman Notes, the Quarterly Journal of the Music Library Association 71 (4), 629–643, 2015 | 4 | 2015 |
| On the Slow Movement of Brahms's F-Minor Clarinet Sonata: Thirds-Cycles, Diatonie, and Todesangst E Klorman Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic 7 (1), 6, 2014 | 3 | 2014 |
| Koch, Carpani, and Momigny: Theorists of Agency in the Classical String Quartet? E Klorman Music Theory Online 24 (4), 2018 | 2 | 2018 |
| Mozart's Music of Friends: The music of friends; 2. Chamber music and the metaphor of conversation; 3. Private, public, and playing in the present tense; Part II. Analytical … E Klorman Cambridge University Press, 2016 | 2 | 2016 |
| A Theory of Virtual Agency for Western Art Music. E Klorman Music Analysis 39 (1), 2020 | 1 | 2020 |
| “Musical Form: Mapping the Territories”: A Conference Report E Klorman Music Theory Online 20 (2), 2014 | 1 | 2014 |
| Joseph Joachim: Two Fantasies Rediscovered Katharina Uhde, vln, Dennis Friesen-Carper conductor, Polish Radio Orchestra Warsaw Soundset Recordings, SR1122; 2021 (1 CD: 49 … E Klorman Nineteenth-Century Music Review 20 (2), 443-447, 2023 | | 2023 |
| Dennis Friesen-Carper conductor, Polish Radio Orchestra Warsaw E Klorman NINETEENTH-CENTURY MUSIC REVIEW, 2022 | | 2022 |
| Social Interplay in the Chamber Works. Cambridge: Cambridge University Press 2016 E Klorman Diederik Mark DE Ceuster “Use 19 Metal Pieces of Approximately the Same …, 2021 | | 2021 |
| Performative Analysis: Reimagining Music Theory for Performance E Klorman Journal of Music Theory 62 (1), 155-164, 2018 | | 2018 |
| FOUR'S company E Klorman STRAD 127 (1516), 45-49, 2016 | | 2016 |
| Review-Article, Paganini–The 'Demonic' Virtuoso by Mai Kawabata E Klorman Ad Parnassum 12 (24), 157–162, 2014 | | 2014 |
| SIXTH BIENNIAL CONFERENCE OF THE SOCIETY FOR EIGHTEENTH-CENTURY MUSIC WITH THE HAYDN SOCIETY OF NORTH AMERICA: MORAVIAN COLLEGE, BETHLEHEM, PENNSYLVANIA, 27 FEBRUARY–2 MARCH 2014 E Klorman Eighteenth-Century Music 11 (2), 332-336, 2014 | | 2014 |
| Review of Weber, Sonatas for Piano and Violin; Piano Quartet E Klorman Nineteenth-Century Music Review 10 (2), 377–382, 2013 | | 2013 |
| An Afternoon at Skittles: On Playing Mozart’s “Kegelstatt” Trio Part II: Analyzing and Performing Musical Play E Klorman | | |
