| Incongruous liaisons: Routes of humour, insult and political (in) correctness in Nigerian stand-up jokes I Nwankwọ The European Journal of Humour Research 7 (2), 100-115, 2019 | 18 | 2019 |
| From Court Jesting to Microphone Comedy: Towards a History of Nigeria’s Stand-up Comedy I Nwankwo AJTH ANSU Journal of Theatre and Humanities 1 (1), 48-67, 2015 | 10 | 2015 |
| On the Difference of the Same: Theatre, Performance and the Tortuous Path of a Nation's Development IE Nwankwọ Nigerian Theatre Journal 10 (1), 22-35, 2010 | 10 | 2010 |
| The Nigerian Video Film”: A post-colonial Reading I Nwankwo The creative artist, a journal of theatre and media studies P 1, 24-29, 2006 | 8 | 2006 |
| Self-censorship and shifting cognitions of offence in the stand-up acts of Basket Mouth and Trevor Noah I Nwankwọ Journal of African Cultural Studies 34 (2), 129-142, 2022 | 7 | 2022 |
| Yabbing and wording: The artistry of Nigerian stand-up comedy E Izuu Nwankwọ NISC (Pty) Limited, 2021 | 7 | 2021 |
| Stand-up Comedy in Africa I Nwankwọ BoD–Books on Demand, 2022 | 6* | 2022 |
| Taking offence with no offence: Relevance of time and place/space within Nigeria's stand-up comedy I Nwankwọ African Dynamics in a Multipolar World: 5th European Conference on African …, 2014 | 6 | 2014 |
| Humour and Politics in Africa: Beyond Resistance D Hammett, LS Martin, I Nwankwọ Policy Press, 2023 | 5 | 2023 |
| Purple Hibiscus and theme of moderation as a metaphor in the evolution of contemporary Nigerian fiction IE Nwankwọ International Journal of Pedagogy Innovation and New Technologies 5 (2), 112-121, 2018 | 4* | 2018 |
| Dramatising development, not post-colonialism: The Femi Osofisan example I Nwankwo E African Performance Review 3 (2_3), 27-44, 2009 | 4 | 2009 |
| Putting the People First: Newer communication Trend for Rural Development in Nigeria NE Izuu Health Communication, Gender Violence, and ICTs in Nigeria, 343, 2008 | 3* | 2008 |
| Antigone, Tegonni and Antigonick: Performing Resistance in a Glocalised Society K Pewny, C Gruber, L Van den Dries, S and Leenknegt Occupy Antigone. Tradition, Transition and Transformation in Performance in …, 2016 | 2* | 2016 |
| Nollywood: On the dangerous terrain of atrophy I Nwankwo Paradise in the Arts: Celebrating Prof. CC Agbodike, Awka: Fab Educational …, 2008 | 2 | 2008 |
| From Court Jesting to Microphone Comedy: Towards a History of Nigeria’s Stand-Comedy I Nwankwọ AJTH: ANSU Journal of Theatre and Humanities 1, 48-67, 2005 | 2 | 2005 |
| ‘Punch up, punch down o! All I know is there is punch’: Jokes about Africa(ns) in cross-cultural contexts I Nwankwọ European Journal of Cultural Studies 27 (6), 1176-1193, 2023 | 1 | 2023 |
| ‘Punch up, punch down o! All I know is there is punch’: Jokes about Africa(ns) in cross-cultural contexts I Nwankwọ European Journal of Cultural Studies 27 (6), 1176-1193, 2023 | 1 | 2023 |
| Ambivalence in the stand-up acts of Nigeria’s Klint da Drunk and Mr Paul I Nwankwọ Journal of the African Literature Association 16 (2), 332-347, 2022 | 1 | 2022 |
| Joke performance mechanics in Nigerian stand-up comedy I Nwankwọ South African Theatre Journal 34 (2), 99-112, 2021 | 1 | 2021 |
| Re-engaging master narratives: Re-encountering Shakespeare’s The Tempest in Esiaba Irobi’s Sycorax I Nwankwọ E The Journal of Commonwealth Literature 56 (2), 218-233, 2021 | 1 | 2021 |
Daniel HammettUniversity of Sheffield在 sheffield.ac.uk 的电子邮件经过验证
